Hello.
I just have a few questions on the Ballade in G minor, which I am working on, mainly regarding tempo.
So, when the Moderato section starts (after the introduction), my edition (Ricordi) puts down Quarter Note=130 to Dotted-Half note=50. Bars 8-39 sound quite good in this tempo range. Then my edition is marked agitato, then Sempre Piu Mosso. How much should I speed up here? I've heard versions where it seems to almost double in speed (probably an exaggeration, but that's the impression I get from Arthur Rubenstein). I can play bars 44-65 at a reasonably accelerated tempo, but the gap in speed utilized by most pianists is too much for me at this point to play very well.
Then it says meno mosso--less lively. How much do I slow down--back to Dotted Half=50, or even less? And I've heard versions where it seems accelerate during the fortissimo section of bars 87-106 (Ashkenazy, for instance). Again, this is a stretch for my pianistic abilities at this point.
Then, in bar 107, the tempo changes again, this time to a piu animato. The long run between 111 and 118 seems like an accelerando. Then, what comes after that, in bars 119-175 relaxes only a little bit. But still, for this fast section, what tempo should I aim for?
Then we have one more meno mosso section between bars 176-189, which I assume is the same tempo as bars 69-106.
And of course, one of the most notorious passages in piano music (the coda, measure 190-end). What tempo should I work towards in this section? Zimmerman doesn't seem to rush very much, while Licad and Rubenstein scream through it at a speed that makes the still--maturing pianist inside me want to curl up and hide.
So, what are your thoughts? I appreciate any advice y'all can give?