Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Repertoire
»
Metronome Mark in Chopin Op. 10 No. 1
Print
Pages: [
1
]
Go Down
Topic: Metronome Mark in Chopin Op. 10 No. 1
(Read 1992 times)
wulfgang
Newbie
Posts: 4
Metronome Mark in Chopin Op. 10 No. 1
on: February 13, 2017, 07:41:15 PM
Hey guys,
quick question, when I practice at tempo quarter note = 176 bpm I always feel quite rushed like the metronome is pushing me. Of course, I can turn it off and it's fine, but for training the rhythmic integrity I like to mix in the metronomic practice into the routine,
With that in mind, I've found that if I set the metronome to 88 = half note, then I feel much less rushed especially at the turn arounds at the top and bottom,
do you guys think this detracts from the point of the etude to be absolutely rhythmically precise, or is this permissible? It makes practicing it so much easier!
best
wulfgang
Logged
Chopin: Etude Op. 10 No. 1 in C Major
Sign up for a Piano Street membership to download this piano score.
Sign up for FREE! >>
iansinclair
PS Silver Member
Sr. Member
Posts: 1472
Re: Metronome Mark in Chopin Op. 10 No. 1
Reply #1 on: February 16, 2017, 02:32:39 AM
I miss j_menz. I know what he would have said...
If your purpose in learning that etude is to be absolutely rhythmically precise, then in my opinion you will be better served to set the metronome slower, but to the quarter notes, and work on gradually bringing up your speed. I am a little concerned that by setting it to the half notes, you are -- probably quite unconsciously -- putting a bit of rubato into the turn arounds. Which might not be out of place in a performance of the piece, but if your objective is absolute precision...
Logged
Ian
Sign-up to post reply
Print
Pages: [
1
]
Go Up