Total Members Voted: 4
...I find it not surprising, but if it were me, I should be ashamed at not being capable at using triadic voicings and basic functional harmony.
I am obsessed with doing it. I also play, by way of example, some Chopin studies and rags by Joplin and Scott. However, I cannot produce an improvisation which comes anywhere near a decent imitation of pieces by these people
Yeah, so, obviously any musician who is good is an accomplished improviser -- I just am curious what textures in piano people are fluent in.No reason why -- I'm not taking names -- just curious.If you disagree that musicians are good improvisers, please feel free to say so -- obviously, that's a non-standard view, but music is a big tent, so everybody should feel welcome.
It's simply not taught; it's not a fault of classical players, it's just not something that's valued by the classical academia.
It's easy to pastiche Haydn/Mozart/early or middle Beethoven for a short time, but getting any sort of structural coherence into on-the-fly sonata form over a longer duration is very much more difficult.I can improvise second-rate Bachian three or four-part counterpoint practically indefinitely, however.Brahms' music is full of incredible subtleties of structure, which I doubt Brahms himself could simply improvise, rather than work out beforehand.
Enjoyable though it can be. I mean when you think about it, Bach probably spent 16 hours a day or more doing NOTHING BUT being Bach.
Right. But how many hours a day did he spend doing his "maritals" with Mrs. Bach? He was a busy man.