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The Quiet Revolutionary of the Piano – Fauré’s Complete Piano Works Now on Piano Street

In the pantheon of French music, Gabriel Fauré (1845–1924) often seems a paradox—an innovator cloaked in restraint, a Romantic by birth who shaped the contours of modern French music with quiet insistence. Piano Street now provides sheet music for his complete piano works: a body of music that resists spectacle, even as it brims with invention and brilliance. Read more

Topic: Help with Liszt´s first transcendental etude  (Read 2190 times)

Offline rovis77

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Help with Liszt´s first transcendental etude
on: September 12, 2017, 03:04:10 AM
Why does Liszt write with a double stem the sixteenth notes that start on measure 2 and end on measure 3?. Thanks!!

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Offline klavieronin

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Re: Help with Liszt´s first transcendental etude
Reply #1 on: September 12, 2017, 06:00:38 AM
Liszt wants to show that there are three separate voices to play simultaneously; 1. the notes in the bottom staff, 2. the notes in the top staff with stems pointing downward, and 3. the notes in the top staff with the stems pointing upward. Try to imagine it as three separate instruments playing together.
 

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