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Topic: Chopin Broadwood  (Read 2077 times)

Offline ajmarti6

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Chopin Broadwood
on: January 19, 2005, 11:14:37 AM
Hi

I have the opportunity to buy a mid-nineteenth century Chopin Grand - i.e the large Broadwood concert grand of around 1850. It has been well restored but sold as seen. In the guide to Broadwood there is a photo of a piano that Chopin played whilst in the UK. This is exactly the same as the piano i have found although i have3 checked the serial numbers and mine does not match any he played on at that time. However, it is a similar number, making me think it could have been in the factory at that time.

Does anyone think this is interesting or have any suggestions on whether it would be a worthwhile purchase. It is a beautiful colour and sounds as one would expect of such an early instrument. However, i have played some etudes and nocturnes on it and they do seem to fit perfectly with the action and the weight of the keys.

Finally, do you think £3000 is too much for such a piano.

(Obviously it would not be my main practice instrument or anything!)

Thanks

Andrew

Offline Erard1

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Re: Chopin Broadwood
Reply #1 on: February 15, 2005, 10:36:08 PM
Before you purchase this piano, you should consider hiring a piano rebuilder who has experience with historic instruments to evaluate the instrument's condition.  The price sounds a little too good to be true, and if the piano has hidden problems you could be left with little more than an expensive conversation piece.  Since you quoted the price in pounds sterling, I'm assuming that you live somewhere in the U.K.  You should contact David Winston of Period Pianos (www.periodpiano.com) for his advice.  He has almost thirty years experience with 18th and 19th century pianos and has rebuilt Beethoven's Broadwood and the 1855 Erard that Emanuel Ax used to record the Chopin piano concertos.  If he is not available to examine the instrument, he should be able to refer you to another capable rebuilder.  The money would be well spent, whether to avoid a bad purchase or for peace of mind.

If funds allow, you might want to consider buying a modern replica of an historic piano instead.  Winston, for example,  builds a beautiful piano after Brodman that Olga Tverskaya has used in her recordings for Opus 111.  With a modern builder you would  be assured a quality instrument and continuing technical support.  Hope this helps
 

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