Cause you're doing it wrong
It's not that I cannot play octaves; just that I am recently having problems with playing octaves over prolonged periods (hours). The fourth/fifth finger always feels slightly off balance, as I have to hit the key at an angle.
i mean even OG top dog pianists can't play octaves non-stop for hours without feeling some sort of fatigue. the fck does this dude think he is, the terminator?"guys why do i feel tired after a 5km non- stop run every morning, how to fix this plz???"
damn so you feel FATIGUED after playing OCTAVES for HOURS
Intermittently.Also, please realize that all the memes are a pain to scroll through.
In my experience, I can play scales for long durations without getting tired, but not octaves.
Also, you can definitely play piano, even at a high level, for hours at a stretch, and your hands are NOT supposed to hurt. The analogy to running does not hold.
People can and do play difficult repertoire for hours at a stretch.
Intermittently.Also, please realize that all the memes are a pain to scroll through.In my experience, I can play scales for long durations without getting tired, but not octaves. Is this inherent to playing octaves? Is some amount of tension unavoidable? Also, you can definitely play piano, even at a high level, for hours at a stretch, and your hands are NOT supposed to hurt. The analogy to running does not hold.People can and do play difficult repertoire for hours at a stretch. If indeed people can not play octaves for long periods of time, that comes back to my question: Are octaves inherently somewhat unergonomic? As far as I see it, this is a legitimate question.
You do not need to contact Louis Podesta by private message. He is referring to the octave seminar taught by Thomas Mark, link below. I have checked periodically and have not seen the seminar offered https://pianomap.com/schedule.html
Dr. Mark is not what is available from a so-called Technique Master in Canada, who prostitutes his technique through countless Master Class videos.
This entire discussion is really sad because my Technique Coach teaches a separate Seminar on Octave Technique. .....
One can deplore the "yet again" aspect as many do - however, the pushing of the concepts put out by T. Mark, this is not off base; nor of some of the other things that Louis has mentioned. Anything that is useful,from whatever source, if it's of use, is worth looking into, I'm thinking.
Just a random tip: try playing octave passages just with the thumb, if you can make that light and controlled then adding the octave should be easier.