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Wagner’s Universe in a Pianist’s Hands

One of the most thrilling performances offered at Cremona Musica this year was the Wagner by Liszt recital given by Filippo Tenisci – Italian pianist, born 1998 and celebrated for his refined interpretations and expressive mastery of the Romantic repertoire. After his recital we got the chance talking to Tenici about his Wagner/Liszt project. Read more

Topic: Debussy Feux d'artifice  (Read 2264 times)

Offline pianoville

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Debussy Feux d'artifice
on: November 08, 2018, 06:52:46 PM
Enjoy!
"Perfection itself is imperfection." - Vladimir Horowitz
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Offline thirtytwo2020

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Re: Debussy Feux d'artifice
Reply #1 on: November 09, 2018, 09:34:04 AM
I certainly did! :)

Offline dogperson

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Re: Debussy Feux d'artifice
Reply #2 on: November 09, 2018, 01:53:18 PM
Thanks so very much for posting!  👏🏻👏🏻👏🏻

Offline pianoville

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Re: Debussy Feux d'artifice
Reply #3 on: November 09, 2018, 02:31:42 PM
Thanks so very much for posting!  👏🏻👏🏻👏🏻

Thank you for listening!
"Perfection itself is imperfection." - Vladimir Horowitz

Offline fftransform

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Re: Debussy Feux d'artifice
Reply #4 on: November 10, 2018, 11:07:00 PM
The hard parts are nice and clean, but it isn't a very exciting interpretation, is it?  It never feels like it's on the edge or in danger of being out of control; I think it should.  All the passages seem very disparate, one vignette and then onto another, rather than a cohesive strategy to develop drama.  I liked the choice to play some of the segments more slowly, but it seems like a performance without a climax, when this piece should have several.  I would also experiment with more extreme ranges of touch to try to bring in a more exotic sound in a couple passages; it is a showpiece, after all.

Listen to the performances by Entremont, (G) Ginzburg, and Canino.

Offline pianoville

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Re: Debussy Feux d'artifice
Reply #5 on: November 10, 2018, 11:44:32 PM
The hard parts are nice and clean, but it isn't a very exciting interpretation, is it?  It never feels like it's on the edge or in danger of being out of control; I think it should.  All the passages seem very disparate, one vignette and then onto another, rather than a cohesive strategy to develop drama.  I liked the choice to play some of the segments more slowly, but it seems like a performance without a climax, when this piece should have several.  I would also experiment with more extreme ranges of touch to try to bring in a more exotic sound in a couple passages; it is a showpiece, after all.

Listen to the performances by Entremont, (G) Ginzburg, and Canino.
[/quote

Thank you for the comment. I agree with you for the most part. I think you have to think about all of the different aspects though. Of course as you said a performance needs to be exciting to catch peoples attention. But seeing it as just a showpiece is a very one-dimensional way to look at it in my opinion. For me, Debussy is all about the colors, and as Debussy himself said, the silence between the notes. But thank you for your advice, I'll take it into consideration!
"Perfection itself is imperfection." - Vladimir Horowitz
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