Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Audition Room
»
Bach - The Goldberg Variations: Aria + Var. 1
Print
Pages: [
1
]
Go Down
Topic: Bach - The Goldberg Variations: Aria + Var. 1
(Read 2042 times)
optimist125
PS Silver Member
Newbie
Posts: 13
Bach - The Goldberg Variations: Aria + Var. 1
on: November 18, 2019, 03:07:28 AM
Logged
Bach: Goldberg Variations BWV 988 in G Major
Sign up for a Piano Street membership to download this piano score.
Sign up for FREE! >>
j_tour
PS Silver Member
Sr. Member
Posts: 4162
Re: Bach - The Goldberg Variations: Aria + Var. 1
Reply #1 on: November 19, 2019, 09:12:14 AM
Well, I admire your gumption, and I think your username is apt.
Of course you know this already, but the notes aren't there yet. That should be fixed. The occassional missed note isn't, to me, normally, a big deal, but IMHO in this context it's huge, since these are extremely familiar, and the clarity can't be avoided.
I like that you're doing something different with the repeats — that's good.
Just to isolate the first variation: can you sing each voice, whether in aloud or in your inner ear?
That's not a sly reference to Gould — it seems clear you've studied a number of different interpretations, and I'm sure you're familiar with Gould, Hewitt, and everyone.
I'd rather hear this small set of the Aria+Var1 in one unified concept, as though. Just as though one person were singing it.
Oh, and especially the Aria, and especially the B section of the Aria. Are your hands small, or is it a choice you made to not connect the downward voices in the bass?
Final point about the Aria as a whole: half the time it seems like you're using a click-track, which can be good, given some of the excesses one might be tempted to take. But when you employ rubato, it seems it's either "on" or "off," not organic (vide Aristotle).
So, I think a rapper might say, "Not bad, but work up your flow, son!"
In short, you have the chops, maybe (that's not clear to me), but needs work on the concept.
Logged
My name is Nellie, and I take pride in helping protect the children of my community through active leadership roles in my local church and in the Boy Scouts of America. Bad word make me sad.
Sign-up to post reply
Print
Pages: [
1
]
Go Up