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Topic: [VIDEO] Schubert Impromptu in Eb major, Op.90, No.2  (Read 2254 times)

Offline richardb

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[VIDEO] Schubert Impromptu in Eb major, Op.90, No.2
on: February 28, 2020, 02:08:25 AM
Please comment.
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Offline pencilart3

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Re: [VIDEO] Schubert Impromptu in Eb major, Op.90, No.2
Reply #1 on: February 29, 2020, 02:52:57 AM
Your hand is one unit, not five. Each note played begs for hand movement, not finger poking! When your pinky stops naturally sticking out you'll know your hand is in better shape.
You might have seen one of my videos without knowing it was that nut from the forum
youtube.com/noahjohnson1810

Offline richardb

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Re: [VIDEO] Schubert Impromptu in Eb major, Op.90, No.2
Reply #2 on: February 29, 2020, 03:41:37 AM
Your hand is one unit, not five. Each note played begs for hand movement, not finger poking! When your pinky stops naturally sticking out you'll know your hand is in better shape.
Thanks pencilart3. I was not aware of this before, but from watching the video I see what you mean. I will work on this.   

Offline dw4rn

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Re: [VIDEO] Schubert Impromptu in Eb major, Op.90, No.2
Reply #3 on: March 18, 2020, 05:57:42 PM
Well done with this difficult piece!

I agree with pencilart3. Just want to add that it's not just a technical problem, but also a musical one: your notes all sound too similar, without the necessary dynamic shapes or contrasts. That's how "finger poking" comes out in terms of sound.

In the second part, it's great that you play softer when the score says piano. But generally, you also need a greater difference in dynamics between melody and accompaniment.

Offline alex-plays.org

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Re: [VIDEO] Schubert Impromptu in Eb major, Op.90, No.2
Reply #4 on: April 09, 2020, 02:04:16 PM

Opus 90 is such wonderfully moving music.

Well done.

If you haven't moved on to something else would love to hear how you are getting on with this fantastic piece.

Well done with this difficult piece!

I agree with pencilart3. Just want to add that it's not just a technical problem, but also a musical one: your notes all sound too similar, without the necessary dynamic shapes or contrasts. That's how "finger poking" comes out in terms of sound.

In the second part, it's great that you play softer when the score says piano. But generally, you also need a greater difference in dynamics between melody and accompaniment.
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The great early 20th-century composer Alexander Scriabin left us 74 published opuses, and several unpublished manuscripts, mainly from his teenage years – when he would never go to bed without first putting a copy of Chopin’s music under his pillow. All of these scores (220 pieces in total) can now be found on Piano Street’s Scriabin page. Read more
 

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