If you've seen Wim winters, you might have heard of adolf Marx, who was a prominent writervabout music. He puts it very well: Tempo in itself doesn't do much, as the instrument, the room and the interpretator's own thoughts are much more important. Don't go obsessed about a number, because that's not what music is about.
This was also the time when technique became a thing, and fast playing was still "new", so that's reflected too.
By the way, czerny have a few different editions. All of which have different tempi, so he clearly didn't worry too much about it either.