For those of us who spend our lives on the bench — whether teaching, practicing for a recital, or simply playing for the love of it – the piano has always been a singular concept: wood, felt, strings, and soul. Yet, recent global market reports reveal that the definition of our instrument is expanding and evolving in ways that affect us all. Read more
Alexander Scriabin died in April 1915, at forty-three, of a fever that took him within a week — leaving his great mystical project unfinished. He left behind a piano language no one had spoken before, one that a century later still questions every interpreter who approaches it. Boris Petrushansky has spent a lifetime preparing his answer. In a new album and an extended conversation with Piano Street, he traces Scriabin’s path from the early Preludes to the final, shattering Op. 74. Read more