Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Repertoire
»
Waldstein mvt. III - all one movement?
Print
Pages: [
1
]
Go Down
Topic: Waldstein mvt. III - all one movement?
(Read 1249 times)
presto-con-fuoco
PS Silver Member
Newbie
Posts: 4
Waldstein mvt. III - all one movement?
on: September 23, 2021, 02:45:57 PM
Hey all, a bit of a technical question - just interested in what people think.
In the Henle edition of Waldstein, the Prestissimo at the end of the movement has a sort of tempo heading that is used for the beginning of movements, and before the Prestissimo begins, Beethoven writes “attacca”. I’ve never seen attacca used to join two segments that are not separate movements.
I know everyone plays it and records it as though it’s one movement - I was just wondering if these facts imply Beethoven thought of the Prestissimo as a fourth movement/finale.
Thanks!
Logged
Beethoven: Sonata Op. 53 in C Major
Sign up for a Piano Street membership to download this piano score.
Sign up for FREE! >>
lelle
PS Gold Member
Sr. Member
Posts: 2506
Re: Waldstein mvt. III - all one movement?
Reply #1 on: September 23, 2021, 07:16:21 PM
I'm looking in my own Henle right now. There's nothing unusual about that tempo heading, they look like that when you change the tempo in the middle of a piece as well. If Henle had wanted to show it as a separate movement, there would have been an indentation on the staves, like in the beginning of the Rondo movement, and the bar count would have been reset as well. I think the attacca instruction from Beethoven should be interpreted as the Prestissimo starting suddenly, as a surprise, directly after the fermata, and that you should make a small silence between them, for example.
Logged
Sign-up to post reply
Print
Pages: [
1
]
Go Up