Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Audition Room
»
Second movement of Beethoven's op 2 no 1
Print
Pages: [
1
]
Go Down
Topic: Second movement of Beethoven's op 2 no 1
(Read 1153 times)
faa2010
PS Silver Member
Sr. Member
Posts: 563
Second movement of Beethoven's op 2 no 1
on: December 03, 2021, 12:14:24 AM
Hi,
I have loaded another video. It took me more time to learn than I thought.
https://youtu.be/Z6uCtJmjLcs
Feedback is welcome.
Logged
Beethoven: Sonata Op. 2 No. 1 in F Minor
Sign up for a Piano Street membership to download this piano score.
Sign up for FREE! >>
quantum
PS Silver Member
Sr. Member
Posts: 6260
Re: Second movement of Beethoven's op 2 no 1
Reply #1 on: December 03, 2021, 08:12:04 PM
Good job learning this one.
As this is a lyrical slow movement, you can do more to bring out those longer melodic lines. You are doing a lot with the indicated slur marks, but now I think you need to bring the crispiness level down a bit, because it is overtaking the entire piece. Crispy phrasing is nice in an Allegro, but too much of it in an Adagio, especially one as lyrical and tuneful as this one, can be distracting. Use the pedal to help you. That does not mean hold the pedal for an entire bar, all you need are touches of pedal. You also don't need to use the pedal all the way to the bottom, 1/2 or fractions of it are all that are needed.
In bar 1 and similar passages, many people play the little note before the beat, as part of the turn.
Try to make your phrase shapes more deliberate. Make it clear where a phrase ends and another begins. Just like speaking, where we insert a longer pause after a period so it is clear that the sentence has ended, and another is about to begin.
Bar 17 accompaniment, can you make these 16th groups more legato.
Be mindful of how you play chords. It needs to fit in with the surrounding material. Just because it is a chord does not mean you just drop a block of notes. For example, can you make sound of the cadence in bar 16 fit with the sound you were producing in bar 15, it is part of that musical sentence.
Some pedalling suggestions attached. These are in no way definitive, rather only a starting point to get you thinking of how you could use the pedal.
Logged
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
faa2010
PS Silver Member
Sr. Member
Posts: 563
Re: Second movement of Beethoven's op 2 no 1
Reply #2 on: December 05, 2021, 03:41:07 PM
Hi quantum,
Thanks for your feedback. I really appreciate it. I'll try what you recommend me.
Logged
Sign-up to post reply
Print
Pages: [
1
]
Go Up