I have not heard anything about what he thought, apart from him trying out fortepianos and either, depending on the source, disliking them or thinking they are cool

so not much to go on there.
One could assume, since he continued writing in the idiom he had mastered, that he wasn't too interested in the newly developing classical style. (Which, if you listen to his sons compositions, often retain many baroque traits albeit in a simpler style, and at the same time anticipate Mozart as a clear possible influence on him.)