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Topic: Chopin - Ballade No. 1 (Read 2613 times)

chopinsimp

PS Silver Member
Newbie
Posts: 8

Chopin - Ballade No. 1

on: June 24, 2022, 11:47:45 PM

Willing to take harsh comments, still want to improve and re-record.

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anacrusis

PS Silver Member
Sr. Member
Posts: 821

Re: Chopin - Ballade No. 1

Reply #1 on: June 26, 2022, 11:22:27 PM

I thought that was quite good, honestly, so I don't have any harsh comments. You're clearly musical and have a solid technique for this piece. Bravo! A lot of this peice will continue to develop on its own as your technique and musical understanding further develop, but this just takes time.

A few points I could say
- I personally like the introduction (the Lento part) a hair faster/with more forward movement, so we feel it almost as one gesture.
- It seems like you play certain loud notes in a way that looks rather forceful (first note of the piece, for example, or when the second them is played with loud chords). See if you can get the same loudness while using less force (ask your teacher if they can help you) and listen to the sound - does it sound harsh or powerful and resonant? It's possible to play very loudly while feeling and looking like it barely takes any effort, and this also gives you more control over the sound and the phrasing.

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chopinsimp

PS Silver Member
Newbie
Posts: 8

Re: Chopin - Ballade No. 1

Reply #2 on: June 27, 2022, 06:35:54 PM

Quote from: anacrusis on June 26, 2022, 11:22:27 PM

I thought that was quite good, honestly, so I don't have any harsh comments. You're clearly musical and have a solid technique for this piece. Bravo! A lot of this peice will continue to develop on its own as your technique and musical understanding further develop, but this just takes time.

A few points I could say
- I personally like the introduction (the Lento part) a hair faster/with more forward movement, so we feel it almost as one gesture.
- It seems like you play certain loud notes in a way that looks rather forceful (first note of the piece, for example, or when the second them is played with loud chords). See if you can get the same loudness while using less force (ask your teacher if they can help you) and listen to the sound - does it sound harsh or powerful and resonant? It's possible to play very loudly while feeling and looking like it barely takes any effort, and this also gives you more control over the sound and the phrasing.

I only but a lot of force on the loud notes because I liked the look and style of it, and my teacher didn't really focus on that so I just stuck to it, I guess it's not really a good thing. I know about dropping my weight but I only really did that for the last, maybe 2 notes, and it didn't really come out the way I imagined it.

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fignewton

PS Silver Member
Jr. Member
Posts: 35

Re: Chopin - Ballade No. 1

Reply #3 on: June 28, 2022, 02:35:43 AM

I really enjoyed your performance! My only suggestion is on the octaves in the A major section, maybe a more legato fingering involving more 4th finger if it is not too uncomfortable. I also find it's interesting to practice that section pianissimo and holding the inner notes for their full values.

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dw4rn

PS Gold Member
Full Member
Posts: 162

Re: Chopin - Ballade No. 1

Reply #4 on: June 28, 2022, 11:50:38 AM

Very convincing performance! No need for harsh comments..

You are clearly very talented, AND you are telling an exciting story with this piece, which I think is the most important thing.
- I think you could use longer pedals in places, for example from bar 82 and onwards.
- It seems that your shoulders go up a little bit in the coda. Do you feel tense there? You're doing fine already, but maybe go back and practice that bit slowly, lightly and piano focussing on relaxed shoulders and free arms.

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Piano Street Magazine:The Piano Taking Center Stage at the 2025 Verbier Festival

Topic: Chopin - Ballade No. 1 (Read 2613 times)

Piano Street Magazine:Tamara Stefanovich: Combining and Exploring Pianistic Worlds

Piano Street Magazine:
The Piano Taking Center Stage at the 2025 Verbier Festival

Piano Street Magazine:
Tamara Stefanovich: Combining and Exploring Pianistic Worlds