well known as the most difficult music in the entire romantic repertoire, which do you think are the hardest of the hard? and why?which ones stand out to you?
well known as the most difficult music in the entire romantic repertoire
I dont like those "Remixes".
The Godowsky studies are musical masterpieces and Godowsky was a legendary pianist with some of the best interpretations of Chopin that exist in recordings today. Presto Agitato, keep listening to the hot new Yundi Li album, but it's not going to get any better.On another note, I've played the left-hand study on Op. 10 No. 2. Funny how both the original etude AND the Godowsky study sound simple, but are satanically hard.
https://chopinforum.com/~mazeppa/da_random_vid.mpgi found this, look rather difficult for the left hand 45 fingers!
I totally disagree. Are you sure you know all the romantic piano repetoire? I dont like those "Remixes". Godowsky is overrated in mi opinion, he was a mediocre pianist and he made his "fame" due to Chopin.
I totally disagree. Are you sure you know all the romantic piano repetoire?
Does anyone have an idea where to find the sheet music to this (specifically the op25 n11)? Just heard it on roberthenry.org and chilled. Are there free editions that are legal?thanksfhugo
that guy lookz like a comedic genius
My book of Godowsky Studies is my most prized music score in my collection, along with the Liszt transcription of Berlioz' Symphonie fantastique.I'd reccomend Carlo Grante's recordings of the studies, he plays very clearly. Hamelin does wonderfully, too. Get both.
Although never published, Gowdowsky wrote one that combined Op.10 no.2, Op.25 no.4, and Op.25 no.11. <-- This must have been THE bear to play!!!
He also recorded himself way before he should have.
This is ridiculous. They are all really easy.
and then there's the thirds and sixths etudes which, to me, seem like they'd easily top the charts.
anyone have godowsky's chopin etude 25/12...
Some "remixes" for Presto Agitato:- Chopin, Variations on La Ci Darem La Mano, Op. 2- Rachmaninoff, Flight of the Bumblebee- Busoni, Chaconne from BWV 1004 (+ numerous Bach works)- Schubert, Wanderer Fantasy- Brahms, Variations on a Theme by Haydn- Liszt, everything he ever wrote
imo godowsky chickened out in his tempo markings for most of the etudes. for example the lh 10/2 is marked at 116-126 instead of the original's 144. the technique is an almost exact replication of the original's RH component (the held chords are blurred with pedal anyway in most recordings) Provided your LH isnt crippled, there's no reason why you can't at least reach the original tempo. Further more, many virtuosi play the original at 170+, so theoretically this speed should also be possible for the lh transcription.