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Topic: playing piano vs learning a piece?  (Read 4672 times)

Offline lorcar

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playing piano vs learning a piece?
on: September 20, 2022, 07:35:53 AM
Hi everyone, have been thinking for a while about this question, and now that I am selecting a new teacher for my 8yo daughter the question became even more important.
It seems to me that the traditional teaching methods make the pupils learn specific pieces and that's it. Yes, they are supposed to teach tempo/rhythm/etc as well, however everything is related to the piece on the score in that exact moment. You can memorize it and so you might not need the score anymore, however you will be able to play THAT piece and not  "play the piano".
For me playing piano means a much higher degree of "musicality", ability to improvise something, ability to "play" with the piano without executing the Mozart/chopin/bach's pieces you have learned (the hard way). I am not saying that playing Bach/mozart is not satisfying, i guess it is how all came closer to piano and it brings a huge sense of joy, however (and i guess my whole rant boils down to that question): which method would you suggest to get something more, and really be able to play piano? should one study improvisation/jazz as well?
I am now closer to being 50yo, as almost everyone else started piano as a kid then had a 30y interruption then started again with a teacher, so i guess I have had in my life something like  less than 10different teachers but more than 5 for sure. Well, no one of them taught me anything that would allow me to sit and play a stupid C major progression, or the easiest tune that every kid has in the head. And you can imagine the frustration when I see several people (very far from being musicians themselves) playing it with such a degree of freedom. And I am not even talking about having perfect pitch, or being a jazz professional! I see on social media all kind of folks, this is just one of those https://www.instagram.com/grette_/reels/ 
i guess there are years of study and practice behind all this, but this is not my issue. I just wonder what is the method that would allow you to be closer to this rather than just learning specific pieces.

My daughter went for the last 3y to a Kodali school: what a waste of time and money! so I am now on the market for a new teacher/method and I am really thorn. I spoke with teachers using those methods made on purpose for kids, then the Associated Board of the Royal School of Music, then someone else who has a traditional/classical background but then turned into jazz. My fear is that my daughter will do the same mistakes i did, so will remain simply stuck to those piece of papers that you have on the piano and without which I am lost.
Any suggestion is highly appreciated. Thank you in advance.

Offline dw4rn

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Re: playing piano vs learning a piece?
Reply #1 on: September 20, 2022, 08:26:55 AM
This is such an interesting question. I guess the problem has to do how the role of "concert pianist" has developed over the years. In "classical times" someone who could play the piano (or organ, harpsichord, whatever) was certainly expected to be able to improvise and compose as well.

I would think like this:
1. What would motivate your daughter to really learn things on the piano? If you think more focus on improvisation, learning her favorite songs rather than Bach Minuets, would make her play the piano more and with greater joy and concentration, then try to find her a teacher who will let her do that.
2. When you've found a competent teacher you like, who's able to make your daughter progress and who cares about her development, don't expect that teacher to be able to teach her everything. There are lots of things you can learn by yourself if you're motivated. I am a classical pianist who has never taken an improvisation lesson in my life, but I played around a lot with different kinds of music when I grew up and because of that I was never a slave to pieces of paper.

Offline lostinidlewonder

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Re: playing piano vs learning a piece?
Reply #2 on: September 20, 2022, 09:30:57 AM
What about practice method and sight reading skills? Learning many pieces helps train the procedure to finish pieces and a good teacher will train the student "how" to practice in an efficient and smart manner to save time and learn more works with ease. I agree to avoid lessons where they are just being told what note to play, what finger, louder here softer there etc. You want students to become better at thinking in a musical way and a musically smart way too.
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Offline geopianoincanada

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Re: playing piano vs learning a piece?
Reply #3 on: September 23, 2022, 02:56:22 AM
I think I understand the question.

I returned after a 20 year pause to try to resume piano lessons and now in my middle age with flawed eyesight and arthritic hands/wrists/etc... it's no picnic.

I think you're wondering who can ignite the spark of genuine creativity which makes the difference between merely repeating piano notes robotically after much struggle versus feeling and having the joyful music emerge and flow easily from your fingertips without so much forethought or analysis.

Let me know when you find the answer because it's something I'm searching for as well.

Offline andoromano

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Re: playing piano vs learning a piece?
Reply #4 on: September 27, 2022, 09:02:17 PM
What about practice method and sight reading skills? Learning many pieces helps train the procedure to finish pieces and a good teacher will train the student "how" to practice in an efficient and smart manner to save time and learn more works with ease. I agree to avoid lessons where they are just being told what note to play, what finger, louder here softer there etc. You want students to become better at thinking in a musical way and a musically smart way too.
Sounds great, but I'm curious about the workmanship. It is known a lot depends on the student and the knowledge and skills of the teacher.

Offline goethefan69420

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Re: playing piano vs learning a piece?
Reply #5 on: September 27, 2022, 09:06:22 PM
Show her a few scales, and exercise to get some freedom at instrument.

Czerny is really good because it has a lot of basic progression, and then trains your ears to understand when there is a resolution.

Then, have her use the stuff she has learned in these pieces away from the book, and just play touch the instrument, and hear it's sounds. You need freedom though to improvise, I'm a pretty decent improviser, and most of my time has been spent learning pieces, but, I've also done so much improvisation as well, by just playing scales, transposing pieces I already know, playing stuff in different keys, and then just counting in your head patterns that are familiar and trying out new stuff.

An example is if she's learned the Minuet in G by Bach, she can play the same piece, but, break up some of the chords and play them differently, maybe change the melody a bit, and just try stuff to see what happens.

The most important thing she should understand that if you hit the piano for fun, you will hear a sound, and then try to find a way to leverage that sound to make something beautiful, mostly work with familiar sounds, but, just don't be afraid to press the piano a lot and press the notes hundreds of times in all kind of combinations, and eventually you will get stuff that sounds good.

Also, some random stuff my teacher helped me with or said that's good is.

Fifths perfect fifths in the left hand
basic alberti patterns (czerny has great ones, and you can copy the same patterns in any notes, you don't even need to know theory just make sure you're playing proper interval and rhythm)
Octaves in the LH and Thirds/Seventh/6th other interval in RH
Octaves in RH as melody and then chords supporting it, or an alberti pattern, or just two notes even legato (down on first note w/ wrist, up on second note)

but all of this also rhythm must come, that's why learning stuff like bach and other stuff is important, but, it also should be the music she hears inside her head she should play. She needs to find out how to talk through the instrument, but, that's very hard if you don't have any freedom from exercises/technique/other pieces.

Also, using scales to improvise is good, you can play the scales as is yes... But, maybe try leaving out a note, or instead of just playing a C scale like... CDEFGABC maybe do CDEFCABC or something like that and then you have a melody.

Offline lostinidlewonder

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Re: playing piano vs learning a piece?
Reply #6 on: September 29, 2022, 07:49:18 PM
Sounds great, but I'm curious about the workmanship. It is known a lot depends on the student and the knowledge and skills of the teacher.
Workmanship? What is that as a definition related to the art of piano playing isolated from what I previously wrote?

Working on practice craft and increasing the rate of mastery over pieces directly will improve the workmanship of music much greater than attempting things such as improvisation without thr foundation of practice craft and mastery of many pieces to support it.

Also who are you? Are you locar with another username because I didn't respond to anything of yours.
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Offline davepiercy

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Re: playing piano vs learning a piece?
Reply #7 on: September 30, 2022, 02:47:36 PM
For improvisation, starting pretty much from scratch, look at Ron Drotos, Keyboardimprov.com.

Offline lostinidlewonder

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Re: playing piano vs learning a piece?
Reply #8 on: September 30, 2022, 04:07:23 PM
For improvisation, starting pretty much from scratch, look at Ron Drotos, Keyboardimprov.com.
Lame, no time to actually give information here to help someone? Always asking for money before helping someone? Blah!
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Offline davidarditti

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Re: playing piano vs learning a piece?
Reply #9 on: September 30, 2022, 04:18:21 PM
Interesting and tricky question.

If you are asking about developing improvisational skills at the keyboard, improvisation is very much an expression of musical personality. To develop your own musical personality, you have to study a wide range of pieces inside and out, some of which will suit your personality, and some of which will not. An open-minded teacher will help, but there is no short cut to doing a lot of work. If you know a lot of music, you can imitate it in your own way, and go on to express yourself at the keyboard, and this is what I think you are referring to in terms of being able to 'play the piano'. But to many people 'playing the piano' means something different. There's no one definition of the activity.

To be versatile at the piano means to be able to sight-read all types of music fluently, improvise in various styles, and play pre-prepared standard pieces 'exam style' (the last being what you are complaining about, but it is part of the overall skillset).

When I pass by the people playing the public piano in the railway station, many of them can play convincingly certain narrow styles and improvisational patterns and they entertain the passers-by and get lots of applause, but to me they know nothing about the playing the piano, and wouldn't know a Dorian scale from B flat minor harmonic or be able to read a simple baroque piece.

In the end the main thing is that the study is enjoyable and satisfying. One thing that is a good idea is finding your daughter a partner at similar level, to play duets with her in a variety of styles. This develops musicianship, rhythm, reading and confidence at the keyboard a lot, and is a lot of fun.

Offline lostinidlewonder

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Re: playing piano vs learning a piece?
Reply #10 on: September 30, 2022, 04:21:49 PM
Good post davidarditti I agree with everything you write. The op seems to want to try and segregate learning pieces and sight reading for instance without actually realising that if taught effectively forms the possibilities of a vast amount of creative freedom.
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Offline davepiercy

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Re: playing piano vs learning a piece?
Reply #11 on: October 01, 2022, 09:35:04 AM
Lame, no time to actually give information here to help someone? Always asking for money before helping someone? Blah!

I'm not asking for money, just letting people know about a useful teacher that I have seen. How is that not helping?

Offline lostinidlewonder

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Re: playing piano vs learning a piece?
Reply #12 on: October 01, 2022, 09:55:17 AM
It's not helping in the sense that there is no help unless money is exchanged. Freely discussing ideas would be a lot more helpful, describe ideas you found interesting there, that would be much more desirable for readers and if strong enough would encourage them then to seek lessons from that source.
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Offline lorcar

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Re: playing piano vs learning a piece?
Reply #13 on: April 20, 2025, 08:25:03 PM
I think I understand the question.
Let me know when you find the answer because it's something I'm searching for as well.

not only i didnt find the answer, but i am even more frustrated...I am resuming this old thread as resuming this old thread as my daughter is now almost 11y. During the years we changed 2 or 3 music schools, but I never saw significant improvements, and the pattern was always the same: a new piece, repetition for weeks, as boring as heck, then next piece.
Last year I was fed-up and decided to try admission to a school which is perceived to be good and solid. When I told the old teacher that she was trying the admission the answer was disheartening: "oh if she goes there it means that she will need to study in a proper and serious way". I wanted to kill her, but at least it confirmed my idea that the school was a playground rather than a music school despite all the other parents in the neighbourhood raving about it.
She tried the admission and she was the first in waiting list. She is now studying with a young teacher (no signficant teaching experience in my opinion), and I saw a slight improvement in the attention he puts on proper technique/touch, in the pieces (schumann, clementi) but the pattern seems to me the same: a piece, to be repeated countless times. To the point where it would kill any potential enthusiasm or love for music. Obviously I must face the fact the she is either not interested or not talented, and give up the idea that she might have a musical education. Also, she is at an age where things get more serious (at school, in life), she must learn to manage her own time among the several activities (school, sport, music eventually, play/free time) and we are not there yet. I made it clear that unfortunately piano/or any other instrument requires constant and daily practice, otherwise doesnt make sense. While now it also happens that -instead of studying every single day- she might not touch the piano for few days due to other reasons.
I see her going through the struggle and problems I had faced decades ago and which I mentioned in my first message of this thread: you learn a piece, but you not learn how to play. If there is no piece in front of you then you dont play.
Also, in the several schools she attended through the years she has never never never studied scales/arpeggios or those classic hated pieces (Hanon etc): maybe the newer more modern methods have a different approach than in the past?
Simply dont know what to do and even more importantly, if I had to start today again with a 1yo kid I would still not know what to do: we live in a big city, so I cannot believe there is no solution to my issue, i.e. that I cannot find a proper teacher/school/method giving a musical education rather than just repeating a piece.
I am stuck and frustrated: it seems that it is either "conservatory/proper school" where in order to get in you need to know how to play already, or alfred/ect schools for kids which based on my experience are just killing time and wasting money.

Offline lelle

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Re: playing piano vs learning a piece?
Reply #14 on: April 21, 2025, 09:08:03 AM
Sounds very frustrating. I think you may have to shop around for a private teacher that offers what you are looking for. A thouroughly complete piano education also features learning about rhythm, theory, improvisation, technical exercises, and pieces, like you say. But there are way more piano teachers who don't dig into all those things than there are teachers who are fantastic at teaching all of them - maybe that goes without saying.

Also, sounds like perfectly normal behavior from your almost 11 year daughter. Most kids might enjoy playing a bit but not want to take it super seriously and practice a lot. That's perfectly normal, and if she is discovering that classical piano is not the big thing in her life, let her.

Offline quantum

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Re: playing piano vs learning a piece?
Reply #15 on: April 22, 2025, 12:24:38 AM
Focus on finding a teacher that meets your needs rather than a school.  Even in good schools, conservatories, and university there is variability in teaching quality and effectiveness.  There are good teachers out there that do not advertise. 

I'd suggest finding musicians or teachers in your area that share your values and what you are looking for.  Look for like minded people, get to know them, ask to be introduced to their network of musicians.  Don't limit just to pianists / piano teachers.  You might find a choir director that works with a collaborative pianist, who also happens to be a great piano teacher and offers what you are looking for. 

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Offline larsnvg

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Re: playing piano vs learning a piece?
Reply #16 on: May 02, 2025, 05:48:41 PM
This is
not only i didnt find the answer, but i am even more frustrated...I am resuming this old thread as resuming this old thread as my daughter is now almost 11y. During the years we changed 2 or 3 music schools, but I never saw significant improvements, and the pattern was always the same: a new piece, repetition for weeks, as boring as heck, then next piece.
Last year I was fed-up and decided to try admission to a school which is perceived to be good and solid. When I told the old teacher that she was trying the admission the answer was disheartening: "oh if she goes there it means that she will need to study in a proper and serious way". I wanted to kill her, but at least it confirmed my idea that the school was a playground rather than a music school despite all the other parents in the neighbourhood raving about it.
She tried the admission and she was the first in waiting list. She is now studying with a young teacher (no signficant teaching experience in my opinion), and I saw a slight improvement in the attention he puts on proper technique/touch, in the pieces (schumann, clementi) but the pattern seems to me the same: a piece, to be repeated countless times. To the point where it would kill any potential enthusiasm or love for music. Obviously I must face the fact the she is either not interested or not talented, and give up the idea that she might have a musical education. Also, she is at an age where things get more serious (at school, in life), she must learn to manage her own time among the several activities (school, sport, music eventually, play/free time) and we are not there yet. I made it clear that unfortunately piano/or any other instrument requires constant and daily practice, otherwise doesnt make sense. While now it also happens that -instead of studying every single day- she might not touch the piano for few days due to other reasons.
I see her going through the struggle and problems I had faced decades ago and which I mentioned in my first message of this thread: you learn a piece, but you not learn how to play. If there is no piece in front of you then you dont play.
Also, in the several schools she attended through the years she has never never never studied scales/arpeggios or those classic hated pieces (Hanon etc): maybe the newer more modern methods have a different approach than in the past?
Simply dont know what to do and even more importantly, if I had to start today again with a 1yo kid I would still not know what to do: we live in a big city, so I cannot believe there is no solution to my issue, i.e. that I cannot find a proper teacher/school/method giving a musical education rather than just repeating a piece.
I am stuck and frustrated: it seems that it is either "conservatory/proper school" where in order to get in you need to know how to play already, or alfred/ect schools for kids which based on my experience are just killing time and wasting money.



I was reading the whole thread and got a bit annoyed by the ignorance combined with a good flavor of pedantry which I read. You expect your piano teacher to teach your daughter the complete music education in one weekly piano lesson. This is so ridiculous and stupid, and a little mean on the money by not wanting to spent the extra buck hiring two or three music teachers with each their own speciality. When my parents sent me to piano lessons (many years ago) and noticed my enthusiasm and talent, they quickly hired a second teacher for music theory and solfège, and soon after that they sent me to play the flute in the local orchestra. My piano teacher taught me piano technique and how to play and perform well pieces by Beethoven, Mozart, Bach, Chopin, Debussy, Liszt, and Rachmaninov. In the local orchestra, I learned about other instruments and how to play the flute while following instructions from the conductor. My teacher in theory and solfège worked on my musical ear training, we analysed the structure and harmony of sonatas of Beethoven etc., he let me sing classical songs and let me write my own piano pieces. Not just improvise, but also write these down. So it needed three teachers to give me a complete education that made me ready for a study at the Conservatory, where I studied classical piano and choir conducting.

If you wish your daughter or any child to get a complete education, she must learn the rules before breaking them, she needs to practice vigorously, and will need plenty of hours in lessons of preferably multiple teachers, each with their own discipline in music. Read books, be curious, and try to create your own music using all the knowledge learned about the rules in music creation. Play around with these and try to invent. And again, practice and be curious. If there is talent, it will prevail. Yes, there are teachers of lesser quality, yet don't blame the teacher too easily; one teacher isn't enough. All the master musicians worked with strict teachers who required their students to get the basics correct first.

Offline lostinidlewonder

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Re: playing piano vs learning a piece?
Reply #17 on: May 02, 2025, 07:56:49 PM
There is no saving helicopter parenting sometimes.
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Offline jonslaughter

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Re: playing piano vs learning a piece?
Reply #18 on: May 04, 2025, 07:50:40 AM
Hi everyone, have been thinking for a while about this question, and now that I am selecting a new teacher for my 8yo daughter the question became even more important.
It seems to me that the traditional teaching methods make the pupils learn specific pieces and that's it. Yes, they are supposed to teach tempo/rhythm/etc as well, however everything is related to the piece on the score in that exact moment. You can memorize it and so you might not need the score anymore, however you will be able to play THAT piece and not  "play the piano".
For me playing piano means a much higher degree of "musicality", ability to improvise something, ability to "play" with the piano without executing the Mozart/chopin/bach's pieces you have learned (the hard way). I am not saying that playing Bach/mozart is not satisfying, i guess it is how all came closer to piano and it brings a huge sense of joy, however (and i guess my whole rant boils down to that question): which method would you suggest to get something more, and really be able to play piano? should one study improvisation/jazz as well?
I am now closer to being 50yo, as almost everyone else started piano as a kid then had a 30y interruption then started again with a teacher, so i guess I have had in my life something like  less than 10different teachers but more than 5 for sure. Well, no one of them taught me anything that would allow me to sit and play a stupid C major progression, or the easiest tune that every kid has in the head. And you can imagine the frustration when I see several people (very far from being musicians themselves) playing it with such a degree of freedom. And I am not even talking about having perfect pitch, or being a jazz professional! I see on social media all kind of folks, this is just one of those https://www.instagram.com/grette_/reels/ 
i guess there are years of study and practice behind all this, but this is not my issue. I just wonder what is the method that would allow you to be closer to this rather than just learning specific pieces.

My daughter went for the last 3y to a Kodali school: what a waste of time and money! so I am now on the market for a new teacher/method and I am really thorn. I spoke with teachers using those methods made on purpose for kids, then the Associated Board of the Royal School of Music, then someone else who has a traditional/classical background but then turned into jazz. My fear is that my daughter will do the same mistakes i did, so will remain simply stuck to those piece of papers that you have on the piano and without which I am lost.
Any suggestion is highly appreciated. Thank you in advance.


You are right. Realize there are two different mentalities in music. Two extremes: The "technical/performance" side and the "musical" side. The technical side does not require the musical side and the musical side does not require the technical side.  You can have no idea how music works and learn to play the most complex pieces perfectly. After all, a computer can do this as can a record player(just hit play).

But to really enjoy music you sort of need both. Much of classical music has become competition based(as much of everything) for "reasons". This is not how music started out. In any case it is a thing. Competition is a thing that gives a lot of people meaning to their existence and it does have it's purpose.

Ultimately maybe you should stop looking for teachers for your daughter and simply teach her yourself. The most important thing in music is practice. That is one important use of teachers. It sorta gets kids motivated and makes it a regular thing. This, over time, leads to growth.

Many of the best musicians ever to exist were "self taught". They simply loved music so much they played all the time. It's easier now than ever because the ease of information. The hard thing to get is the dedication and passion. To develop those usually takes many years and most people give up because they don't see the light at the end of the tunnel.

Most kids cannot realize what they will achieve with consistent practice.

If you can get your daughter to play for a few hours a day nearly every day and to enjoy it then you've accomplished the hard part. If she can do her own research(read books, listen to music, etc) then she can teach herself(there is nothing in music that is overly complex once you get to the point of understanding it).

Probably the best teachers are those who simply can motivate and excite people. Having all the technical knowledge means nothing if people are not willing to put in the effort.

Also, music is much more complex in some ways today than ever. Why? Distractions. Who really needs to play the piano any more? It's essentially an ancient contraption. Only people who have learned to play(any instrument, anything in fact) can comprehend what comes from it.

There is a use to playing those "stupid C major progressions" and learning theory and all that. It really helps believe it or not. All music is made of those stupid progressions and scales in some form or fashion. You can learn music without them but typically you will always lack a certain comprehension and just learn by memorization. Sorta like learning math through memorization. It kinda defeats the purpose. One doesn't want to be a computer who just memorizes everything.

OTOH, knowing theory and progressions means nothing. I used to hate doing those exercises(both on piano and guitar) but I've always made the most progress when I do them. If you think about it, if you can't play simple I IV V's in the inversions then how do you expect to play music in general? Any piece has those chord shapes in them.

Yes, if you learn enough music you are also practicing those scales and chords and so if you can learn enough music it is effectively the same in some ways but it isn't totally the same.

What they do, really, is help you understand and remember things better. If a person has a natural ability or is immersed in music they likely do not need to do such things because they will already be doing them  indirectly.

In any case, ultimately you have to make the decisions on what you want yourself because it's your daughter. If you fail then she will suffer from it and if you are successful then she will benefit. If you allow it to be someone else's choice then you will blame them when it is your fault for enabling it. You can't predict the future and can't know the right path so you at some point just have to make a call and hope for the best.

Ultimately you need to decide what you want for your daughter and also ask her what she wants. Becoming proficient at piano is no easy task. Does she simply want to be a performer who goes to competitions? Or does she want to improvise and just enjoy it for herself? Does she want to teach kids when she gets older? Does she know the effort it takes?

IMO, the best teacher of music is simply to sit at the piano and play. Play for hours and hours and hours, days and days and days, for years and years and years. The piano(or any instrument) has to effectively become a "lover" because you will have to spend a lot of time with it and it will be filled with emotion. It will change you. It is something you only know *AFTER* the fact. I could have never comprehended how learning to play the piano would change me. I spend 20 years playing guitar before I really dived into piano(I stopped playing guitar). The piano is a magical instrument because it is the only instrument that can give you the full spectrum. It doesn't need anything else and is very rich in what it can do. I also didn't comprehend how much work it would take.

I don't think anyone can comprehend these things. Same thing could be said about anything. This is why it is so important to get kids into things when they are young so they can benefit because if left to their own they will likely never accomplish much since when it gets hard they will move on to something else.


Probably the best bet here is to have multiple teachers in multiple styles or simply teach your daughter yourself with how you think it should be done(this puts the impetus on yourself and you then only have yourself to blame which you may not like in 30 years).

If you only want your daughter to experience the joy of piano then she does need to learn technique. Probably learning technique and theory at a young age is easiest because the child doesn't know any better. It turns off adults much easier because it's a total drudge. Maybe it's better around the ages of 13-17.

In any case, if it is not fun a child will likely not progress or will learn to hate it and that defeats the purpose. They likely will quit when they get older and life gets more difficult.

For me, I find improvising the most enjoyable at piano. But without learning Bach, Beethoven, Chopin, etc I wouldn't really be that good. They help one understand how music is put together as long as one understands theory and knows enough music. E.g., being able to take a piece of music and change the mode or improvise around the progression or melody or whatever is fun and allows one to be creative and explore music while also challenging themselves and work on technique.


What I have learned in life is EVERYTHING is relevant. What happens to people is they lock themselves into a mentality and it becomes a prison. Even music can become a prison. There is more to life than music. Just as much as you get out of music you can also get out of math, physics, chess, politics, or whatever. It's really about developing an understanding where both the mind and emotions come together. It's not really something that can be taught but something that happens over ones life when they invest in things. The problem with our society is a lot of people invest in meaningless things so after 40 years of it they have nothing to show for it or it is superficial(nothing for themselves).














Offline dizzyfingers

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Re: playing piano vs learning a piece?
Reply #19 on: May 04, 2025, 10:45:18 PM

You are right. Realize there are two different mentalities in music. Two extremes: The "technical/performance" side and the "musical" side. The technical side does not require the musical side and the musical side does not require the technical side.  You can have no idea how music works and learn to play the most complex pieces perfectly. After all, a computer can do this as can a record player(just hit play).

But to really enjoy music you sort of need both. Much of classical music has become competition based(as much of everything) for "reasons". This is not how music started out. In any case it is a thing. Competition is a thing that gives a lot of people meaning to their existence and it does have it's purpose.

Ultimately maybe you should stop looking for teachers for your daughter and simply teach her yourself. The most important thing in music is practice. That is one important use of teachers. It sorta gets kids motivated and makes it a regular thing. This, over time, leads to growth.

Many of the best musicians ever to exist were "self taught". They simply loved music so much they played all the time. It's easier now than ever because the ease of information. The hard thing to get is the dedication and passion. To develop those usually takes many years and most people give up because they don't see the light at the end of the tunnel.

Most kids cannot realize what they will achieve with consistent practice.

If you can get your daughter to play for a few hours a day nearly every day and to enjoy it then you've accomplished the hard part. If she can do her own research(read books, listen to music, etc) then she can teach herself(there is nothing in music that is overly complex once you get to the point of understanding it).

Probably the best teachers are those who simply can motivate and excite people. Having all the technical knowledge means nothing if people are not willing to put in the effort.

Also, music is much more complex in some ways today than ever. Why? Distractions. Who really needs to play the piano any more? It's essentially an ancient contraption. Only people who have learned to play(any instrument, anything in fact) can comprehend what comes from it.

There is a use to playing those "stupid C major progressions" and learning theory and all that. It really helps believe it or not. All music is made of those stupid progressions and scales in some form or fashion. You can learn music without them but typically you will always lack a certain comprehension and just learn by memorization. Sorta like learning math through memorization. It kinda defeats the purpose. One doesn't want to be a computer who just memorizes everything.

OTOH, knowing theory and progressions means nothing. I used to hate doing those exercises(both on piano and guitar) but I've always made the most progress when I do them. If you think about it, if you can't play simple I IV V's in the inversions then how do you expect to play music in general? Any piece has those chord shapes in them.

Yes, if you learn enough music you are also practicing those scales and chords and so if you can learn enough music it is effectively the same in some ways but it isn't totally the same.

What they do, really, is help you understand and remember things better. If a person has a natural ability or is immersed in music they likely do not need to do such things because they will already be doing them  indirectly.

In any case, ultimately you have to make the decisions on what you want yourself because it's your daughter. If you fail then she will suffer from it and if you are successful then she will benefit. If you allow it to be someone else's choice then you will blame them when it is your fault for enabling it. You can't predict the future and can't know the right path so you at some point just have to make a call and hope for the best.

Ultimately you need to decide what you want for your daughter and also ask her what she wants. Becoming proficient at piano is no easy task. Does she simply want to be a performer who goes to competitions? Or does she want to improvise and just enjoy it for herself? Does she want to teach kids when she gets older? Does she know the effort it takes?

IMO, the best teacher of music is simply to sit at the piano and play. Play for hours and hours and hours, days and days and days, for years and years and years. The piano(or any instrument) has to effectively become a "lover" because you will have to spend a lot of time with it and it will be filled with emotion. It will change you. It is something you only know *AFTER* the fact. I could have never comprehended how learning to play the piano would change me. I spend 20 years playing guitar before I really dived into piano(I stopped playing guitar). The piano is a magical instrument because it is the only instrument that can give you the full spectrum. It doesn't need anything else and is very rich in what it can do. I also didn't comprehend how much work it would take.

I don't think anyone can comprehend these things. Same thing could be said about anything. This is why it is so important to get kids into things when they are young so they can benefit because if left to their own they will likely never accomplish much since when it gets hard they will move on to something else.


Probably the best bet here is to have multiple teachers in multiple styles or simply teach your daughter yourself with how you think it should be done(this puts the impetus on yourself and you then only have yourself to blame which you may not like in 30 years).

If you only want your daughter to experience the joy of piano then she does need to learn technique. Probably learning technique and theory at a young age is easiest because the child doesn't know any better. It turns off adults much easier because it's a total drudge. Maybe it's better around the ages of 13-17.

In any case, if it is not fun a child will likely not progress or will learn to hate it and that defeats the purpose. They likely will quit when they get older and life gets more difficult.

For me, I find improvising the most enjoyable at piano. But without learning Bach, Beethoven, Chopin, etc I wouldn't really be that good. They help one understand how music is put together as long as one understands theory and knows enough music. E.g., being able to take a piece of music and change the mode or improvise around the progression or melody or whatever is fun and allows one to be creative and explore music while also challenging themselves and work on technique.


What I have learned in life is EVERYTHING is relevant. What happens to people is they lock themselves into a mentality and it becomes a prison. Even music can become a prison. There is more to life than music. Just as much as you get out of music you can also get out of math, physics, chess, politics, or whatever. It's really about developing an understanding where both the mind and emotions come together. It's not really something that can be taught but something that happens over ones life when they invest in things. The problem with our society is a lot of people invest in meaningless things so after 40 years of it they have nothing to show for it or it is superficial(nothing for themselves).

Don't know why you're being so laconic - everything okay?

For more information about this topic, click search below!

Piano Street Magazine:
A Life with Beethoven – Moritz Winkelmann

What does it take to get a true grip on Beethoven? A winner of the Beethoven Competition in Bonn, pianist Moritz Winkelmann has built a formidable reputation for his Beethoven interpretations, shaped by a lifetime of immersion in the works and instruction from the legendary Leon Fleisher. Eric Schoones from the German/Dutch magazine PIANIST had a conversation with him. Read more
 

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