Since someone else downloaded the file without complaint, I ventured to do so as well.You have to realize who you're audience is here - - people who play and listen to the great masters of piano, an audience schooled in the highest caliber of composition.That said. I recognize that you have organized the piece carefully, and I think it is effective: single melody line, double the notes per beat for a more intense texture, melody again but with full chords, back to the eighth note theme, a quick cadenza.I think the melody is interesting. The harmony is quite simple, even a bit tiresome in it's repetition. Even for the style you're composing in - pop - it needs more variety.The recording itself is quite off balance with the left hand being way too loud. The first thing I would change is to come up with a different format for the lh - something less ponderous than oom-pa-pa. The second thing to change is the harmonic plan. I recommend copying the harmonic sequence from a piece you admire - it would be very instructive, you could try, for example, Chopin's funeral march prelude.Maybe you could tell us a little bit about yourself - - your history of studying music, piano, composition, etc.
Hello Mustafa!,• If you asked me—since you have, in general—I‘d say you could get better with time focusing on subjecting (me/us[*my pronouns]) to less monotonous plodding or barrenly laborious melodies (sparse but without tension, meaning or interest), especially-if you will, since Chopin already did incarnations of those in ways highly difficult to match–in fairness—¿right‽The flourish at the end was that classic Flash of talent in the Pan—in that way,: 2 extremes.