Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Teaching
»
"When Sunny Gets Blue" - Free Easy Arrangement
Print
Pages: [
1
]
Go Down
Topic: "When Sunny Gets Blue" - Free Easy Arrangement
(Read 549 times)
harry likas
PS Silver Member
Newbie
Posts: 2
"When Sunny Gets Blue" - Free Easy Arrangement
on: March 11, 2025, 03:42:07 PM
I've arranged 'When Sunny Gets Blue' using my 2+2 chord voicing method and attached the PDF below.
The 2+2 voicing method makes it easier for pianists to build their own voicings from lead sheets. It keeps things simple by giving each hand a clear role: the left hand lays down the harmonic foundation, usually with the root and 7th or root and 3rd, while the right hand fills in the missing guide tone—either the 3rd or 7th—and plays the melody on top. This setup helps with smooth voice leading, creates a balanced sound, and works well for both solo and group playing.
It’s a solid starting point for learning more advanced voicings. As players get more comfortable, they can add extra notes and embellishments to create their own unique style.
Find My 1,000 Jazz Piano Arrangements of Standards & 60 Tutorials at
www.Patreon.com/HarryLikas
.
I was the technical editor for Mark Levine’s The Jazz Theory Book and contributed to The Jazz Piano Book.
https://harrypiano.com/wp-content/uploads/2025/02/When.Sunny_.Gets_.Blue_.22_0001.png
Logged
mattsemno
PS Silver Member
Newbie
Posts: 1
Re: "When Sunny Gets Blue" - Free Easy Arrangement
Reply #1 on: March 31, 2025, 03:08:51 PM
This is a really interesting approach to voicings! The 2+2 method seems like a great way to simplify the voicing process while still keeping the harmonic content rich. I’m curious, how do you recommend adapting this method for more complex jazz standards with a lot of chord changes? Do you think the 2+2 voicing still works well for faster-paced or more rhythmically complex tunes? Also, I’d love to hear more about how you developed this method – did it evolve over time, or was it something you came up with to simplify certain voicings for your own playing?
Logged
Sign-up to post reply
Print
Pages: [
1
]
Go Up