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Topic: M.T.N.A. Competition repertory  (Read 4584 times)

Offline ondine1908

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M.T.N.A. Competition repertory
on: August 20, 2025, 03:33:07 AM
I want to make it to nationals in this competition. I'm playing:
  • Chopin Etude 25-10
  • Rachmaninoff Sonata 2, mvt. II: Non allegro
  • Beethoven Sonata 31-2 mvt. I: Largo
  • Price "Summer Moon" (just an easy piece for the Ebony Award)
All of them have progressed well, but I'm worried I won't have time to get them all to concert level (I have tons of schoolwork.) I could drop the Chopin Etude, but I've considered that it'll make my repertory too easy for a competition finalist's. (I've seen the others playing War Sonata 7, Suggestion Diabolique, etc.) Should I drop it or simply endure the pressure?

Also, if you've been in this competition or similar, how much did you usually practice a day?

Thanks for reading  :)

Offline hopefulauditionpasser

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Re: M.T.N.A. Competition repertory
Reply #1 on: August 20, 2025, 05:22:43 AM
when is the competition? my teacher always said that if you want to make it far you need to "transcend" the notes and not be bogged down with the technique. if the competition is coming in a month i would drop - there's no point in keeping it for the sheer difficulty if it won't be nationals level (whatever that is).

Offline ondine1908

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Re: M.T.N.A. Competition repertory
Reply #2 on: August 20, 2025, 09:27:25 PM
when is the competition? my teacher always said that if you want to make it far you need to "transcend" the notes and not be bogged down with the technique. if the competition is coming in a month i would drop - there's no point in keeping it for the sheer difficulty if it won't be nationals level (whatever that is).

It's in around two months

Offline hopefulauditionpasser

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Re: M.T.N.A. Competition repertory
Reply #3 on: August 24, 2025, 11:22:26 PM
It's in around two months
if it's pretty close to mastery over the technical difficulties (only needs a few weeks) i would keep. if its below that by a measureable extent i would reconsider.

Offline bassthere

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Re: M.T.N.A. Competition repertory
Reply #4 on: September 04, 2025, 04:50:53 AM
I would retain it if it's fairly close to mastering the technical challenges (only takes a few weeks). If it's significantly less than that, I'd think again.

Offline elowen

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Re: M.T.N.A. Competition repertory
Reply #5 on: September 09, 2025, 07:18:17 AM
I want to make it to nationals in this competition. I'm playing:
  • Chopin Etude 25-10
  • Rachmaninoff Sonata 2, mvt. II: Non allegro
  • Beethoven Sonata 31-2 mvt. I: Largo
  • Price "Summer Moon" (just an easy piece for the Ebony Award)
All of them have progressed well, but I'm worried I won't have time to get them all to concert level (I have tons of schoolwork.) I could drop the Chopin Etude, but I've considered that it'll make my repertory too easy for a competition finalist's. (I've seen the others playing War Sonata 7, Suggestion Diabolique, etc.) Should I drop it or simply endure the pressure?
Also, if you've been in this competition or similar, how much did you usually practice a day?
Thanks for reading  :)

I'm also wondering about balancing studying and practicing for music competitions.

Offline joannyreterson

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Re: M.T.N.A. Competition repertory
Reply #6 on: October 06, 2025, 07:58:10 AM
Great repertoire choices! The Rachmaninoff and Beethoven are serious pieces. Maybe focus intensely on those. Daily practice varies, but aim for focused quality over quantity. Good luck at nationals!

                                                                                                                                                       

Offline jamesward

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Re: M.T.N.A. Competition repertory
Reply #7 on: October 23, 2025, 03:06:04 AM
Actually, I remember sweating bullets over Chopin's Ballade No. 4 for a similar performance. It felt like climbing an impossible mountain. The phrasing was tricky, especially getting the right ebb and flow in the middle section. It took forever to finally feel comfortable with it.

For more information about this topic, click search below!

Piano Street Magazine:
Piano Competitions Flourish in 2025 – A Unique Clash

The year 2025 promises to be an exciting one for the piano world, with the top three prestigious piano competitions taking center stage worldwide. With Chopin, taking place each five years, Cliburn each four and Queen Elisabeth with varying intervals of 3-5 years, this unique clash occurs for the first time ever. Read more
 

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