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Topic: “The Christmas Song (Chestnuts Roasting on an Open Fire)”  (Read 167 times)

Offline harry likas

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“The Christmas Song (Chestnuts Roasting on an Open Fire)”
on: December 16, 2025, 05:10:50 PM
I've arranged and attached “The Christmas Song (Chestnuts Roasting on an Open Fire)” using my 2+2 chord-arranging method for solo piano.  In 2+2 chord arranging, the left hand anchors the harmony, typically playing root and 7th, root and 3rd, or root and 5th intervals on tonic chords. The right hand uses its thumb to complete the chord (with the 3rd or 7th), while the remaining fingers carry the melody above.
2+2 voicings are hand-friendly, balanced, and versatile. The left-hand notes can stand alone as a complete accompaniment, while the right hand adds fills or improvisation. With regular practice, the 2+2 system helps pianists move from guessing at chords to playing confident, expressive harmony in just a few weeks.
I’ve created over 1,400 solo jazz piano arrangements using the 2+2 method and produced 65 tutorials, all available at www.Patreon.com/HarryLikas
I was also the technical editor for Mark Levine’s "The Jazz Theory Book" and a contributor to "The Jazz Piano Book."
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Online andrew_s

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Re: “The Christmas Song (Chestnuts Roasting on an Open Fire)”
Reply #1 on: December 20, 2025, 05:43:16 PM
Thanks for posting. I just played it through, and to my fingers and ears it feels like a very solid arrangement.
The voicing concept comes across clearly, and I found it easy to slip in a few added notes to color the chords. It also felt natural to vary the melody a bit, since I wasn’t locked in by thick voicings or busy rhythms.

If this is used as educational material, once students can play it confidently, how would you suggest they approach filling out the chords?

And any thoughts on developing a more rhythmic inner-voice accompaniment?
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Offline harry likas

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Re: “The Christmas Song (Chestnuts Roasting on an Open Fire)”
Reply #2 on: Yesterday at 08:12:29 PM
Thanks — I appreciate you playing it through and the thoughtful feedback.
My feeling with this tune is that the melody is so strong that very little, if any, additional filling is necessary. I’d rather protect the clarity of the line than risk crowding it. The next step, once it’s comfortable, is usually very simple: add the right index finger to a color tone like the 9th or the 5th — but only when there’s enough open space for it. Often, none is needed at all.
Harry
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