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Piano Street Magazine:
Wagner’s Universe in a Pianist’s Hands

One of the most thrilling performances offered at Cremona Musica this year was the Wagner by Liszt recital given by Filippo Tenisci – Italian pianist, born 1998 and celebrated for his refined interpretations and expressive mastery of the Romantic repertoire. After his recital we got the chance talking to Tenici about his Wagner/Liszt project. Read more

Topic: emotion verse virtuosity  (Read 1677 times)

Offline lagin

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emotion verse virtuosity
on: March 27, 2005, 03:03:56 AM
So for festivals and scholarship competitions would I have a better chance of winning if I always learned the hardest pieces out of each selection list for my grade?  Is it more impressive to play a slow emotional piece or a fast technical piece if I only can play one in a competition?
Christians aren't perfect; just forgiven.

Offline pianonut

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Re: emotion verse virtuosity
Reply #1 on: March 27, 2005, 03:45:59 AM
i think it would be good to play whatever piece means the most to you.  even if it is slow and emotional.  if you play a fast piece just as well - i'd go with that.  *fast can also be emotional - just as slow can be technically difficult. 
do you know why benches fall apart?  it is because they have lids with little tiny hinges so you can store music inside them.  hint:  buy a bench that does not hinge.  buy it for sturdiness.

Offline lostinidlewonder

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Re: emotion verse virtuosity
Reply #2 on: March 28, 2005, 01:03:43 AM
Blow their socks off is what you have to do win Scholarship competitions. So play something which is both Technically hard and full of expression and emotion. Scriabin Sonatas especially no 4 which i am partial to for instance, has lots of success wooing prizes all over the world.
"The biggest risk in life is to take no risk at all."
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