Piano Forum

Topic: Amy Beach  (Read 1896 times)

Offline BoliverAllmon

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 4155
Amy Beach
on: April 15, 2005, 04:30:38 PM
what do you think of her music? I put her on the same level as Mozart as far prodigy status. She composed what she did with no lessons. She was even discouraged from taking composition or piano lessons.

what is your favorite piece of hers?

Offline Lance Morrison

  • PS Silver Member
  • Full Member
  • ***
  • Posts: 127
Re: Amy Beach
Reply #1 on: April 16, 2005, 01:54:10 AM
she seems like an interesting personality....but what is her music like?

Offline BoliverAllmon

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 4155
Re: Amy Beach
Reply #2 on: April 16, 2005, 01:41:46 PM
really cool. go listen to her prelude and fugue from classicalarchives.net

Offline cygnusdei

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 616
Re: Amy Beach
Reply #3 on: February 18, 2008, 10:10:39 PM
Sorry for resurrecting an old thread. I heard Beach's piano quintet on the radio a couple of days ago. Crafty piece of work. I had heard of Amy Beach but had never heard her music before.
Anyway Joanne Polk (apparently a faculty member at the Manhattan School of Music) has 2 CDs of Beach piano music on Yahoo! music (subscription). I'm listening to them now.

Offline rachfan

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 3026
Re: Amy Beach
Reply #4 on: February 18, 2008, 11:03:29 PM
Starting around 1875, Beach studied music in Boston--piano, counterpoint, harmony, and composition.  In her young years she was devoted to piano studies and eventually played with the Boston Symphony Orchestra.  But when it came to composing, beyond the basic courses she was mostly self-taught in composition and orchestration.

I like Beach's music a lot!  The only piano piece I learned of hers awhile back was "Dreaming", Op. 15, No. 3, a reverie as the title suggests. It's one of her better short character pieces.  Unfortunately, I didn't record it, otherwise I'd post it here for you to hear. 

Her Sonata in Am for Piano and Violin, Op. 34 is outstanding!  You need to hear it!  She also wrote the Trio for Violin, Cello and Piano, Op. 150 which is very well crafted too.

This composer even wrote for voice!  I once heard her song for soprano, "I Send My Heart Up To Thee".  It was ultra-romantic!  I've never forgotten it.  I'd love to accompany a singer doing that song.  The piano part is lush!

She wrote a reputedly dazzling Piano Concerto, Op. 45 in C#m--which I've never heard.  I think it is available on CD though.  She toured Europe as a virtuoso pianist with the concerto, which received critical acclaim, as did her other works which she performed in recital and ensembles. 

I lived in Nashua, New Hampshire for 12 years, and always meant to drive to Henniker, the town where she was born and lived all her life.  I just wanted to get a sense of her surroundings.  But I never made it over there, as it was a really busy part of my life.  (Now we're in Maine.)

When I was a kid, she was always referred to as Mrs. H. H. A. Beach.  After women's lib, she posthumously became Amy Beach.   :)  I think very highly of this American composer.
Interpreting music means exploring the promise of the potential of possibilities.

Offline retrouvailles

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 2851
Re: Amy Beach
Reply #5 on: February 18, 2008, 11:20:26 PM
I admittedly have never thought too highly of Amy Beach, especially when I compare her to the myriad of other American composers and woman composers. I have heard a great number of her works (some solo piano works, lots of chamber music, her "Gaelic" Symphony, and her piano concerto) and none of them have really struck me. Sure, it sounds good and is well crafted, but it is missing that element of music that really makes an impression on you. If you want a good American woman composer, look to the 20th/21st century, which is when American woman composers really shine and seemed to break free of what was around them. Amy Beach almost sounds like a "generic" romantic composer to me. Like, there is nothing that distinguishes her from her contemporaries. Perhaps I am just missing something in her music. I don't know.
For more information about this topic, click search below!

Piano Street Magazine:
When Practice Stagnates – Breaking the Performance Ceiling: Robotic Training for Pianists

“Practice makes perfect” is a common mantra for any pianist, but we all know it’s an oversimplification. While practice often leads to improvement, true perfection is elusive. But according to recent research, a robotic exoskeleton hand could help pianists improve their speed of performing difficult pianistic patterns, by overcoming the well-known “ceiling effect”. Read more
 

Logo light pianostreet.com - the website for classical pianists, piano teachers, students and piano music enthusiasts.

Subscribe for unlimited access

Sign up

Follow us

Piano Street Digicert