I am just using chord attack I guess it is called. Playing all notes at once.
Does that mean you are playing all four notes (F,G,B#,E) at once? I am not sure if that’s the best way to go about it. Chord attack is useful, but it does not apply to any situation. In other words, don’t just go through the piece and learn everything using the chord attack. In places where the notes are fairly far apart, using the chord attack will likely result in a stretched, tense hand. Chord attack is really good for short scale fragments and similar situations where the notes are close together. Also, you will have to change your motions quite drastically when you abandon the chord attack in this measure. Might just as well start working on those motions right away.
I don't think you recommend doing the metronome at the 1/32nd note speed, do you? I guess I am thinking you would use them over groups of notes. I haven't really put the notes together well enough to attain full speed yet. Shouldn't I work within my abilities to play it (somewhat near) correctly?
You should always stay within your abilities. That’s what I mentioned earlier. Practice the chunks at speed if you want, but when you put them together you will have to play at one speed, which is the speed of the slowest chunk in the set. I’m not sure I understand your question about the metronome. I guess you are referring to the speed in the recording you have and which you may consider “final speed”. No, I don’t recommend that, for several reasons. One of them is that you need to practice not only the chunks but also the transitions between the chunks. But when you put everything together, your brain will initially need some time to recall what the next note is going to be. Your “brain speed” is what will limit your playing speed. One can’t achieve full brain speed right away. That’s one of the reasons why slow-motion practice is still extremely important.
Stretching your hand is bad? I do try to stay relaxed. Although sometimes I'm sure it's hard to when my focus is so stressed.
As a general rule, stretching the hand is indeed bad. Stretching means being at the limits of one's range of mobility. This in itself is already bad enough, but when you start moving around with connected parts while one or more of them are stretched, you set yourself up for problems. Of course, one often can’t avoid stretched hand positions, e.g. when playing large chords. In these situations, one must try to reduce the time spent in the stretched position as much as possible. For example, if your hand is rather small, you may need to stretch to play the two G’s an octave apart in the fast section. Don’t! Rather, add a lateral motion to move your hand back and forth. One of the most common bad habits is “reaching”. Say, you have to play G with your thumb followed by a B an octave higher. In order to achieve a legato effect, one would be tempted to dwell on the G and stretch as much as possible to reach the B with the pinky. This is very bad, and if you observe yourself, I am convinced you will find that you are doing this all over the place. Everybody does! I still do it often enough, although I know better, and I have to tell myself every time to stop it. The Taubman approach is centered around concepts such as “NO STRETCHING”. A smooth, fluid technique and, sometimes, proper use of the pedal can help a lot.
I am so provincial
. Enlighten me please? I know "v" sound at least is in English, Spanish, Russian (no "v" shape that I can recall), French....
Keep on guessing

BTW, “v” in Spanish is pronounced more like “b” in English.