How much rubato do you guys use on a good old romantic peice. I learned Chopin's nocturne op.9 no.1 and was using a lot of rubato. I just got a teacher however and she says that i was using it too much and it was a bit mannered, i had not reallised that too much expression could be a bad thing. Granted i have played it through completely without and with very little, and bits of the melody do come out smoother, i still think parts just need it though. What do you guys think, can you have too much of a good thing?