Piano Forum

Topic: La Fille -- Prelude 8 book 1 -- Debussy  (Read 1473 times)

Offline Chrysalis

  • PS Silver Member
  • Full Member
  • ***
  • Posts: 190
La Fille -- Prelude 8 book 1 -- Debussy
on: May 02, 2005, 09:32:42 PM
I started this piece not too long ago...
it goes very well but i have a problem picking some huge chords...

page 1 ... bar 6....
am i missing something here... looking over something?
I don't know how to pick the large chord at the end of this bar ...
any hints? should i arpeggiate it or something? I have large fingers
but this is kinda too large (or i am missing a point here)...

thanks in advance
Debussy Rox! Debussy Rox! Debussy Rox!

Offline nanabush

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 2081
Re: La Fille -- Prelude 8 book 1 -- Debussy
Reply #1 on: May 03, 2005, 12:13:29 AM
You're gonna hve to arpeggiate it if it's the one I'm thinking of, I just roll my hand and hld the pedal and I've finished the chord in a split second, most ppl wont notice,, but I also do a lot of things on how I like it even if it's not completely correct, IGNORE WHAT I JUST SAIDlol, ya I just arpeggiate...
Interested in discussing:

-Prokofiev Toccata
-Scriabin Sonata 2

Offline lostinidlewonder

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 7842
Re: La Fille -- Prelude 8 book 1 -- Debussy
Reply #2 on: May 03, 2005, 01:05:28 AM
It is impossible for 99% of us to play that chord, and i am yet to see someone play that as a chord. The only way you can do it is if you take in the bass the Bb G Bb with the LH and the Eb Bb Eb with the Rh and then use your foot to play the low Eb lol.

Using your hands you can make good effort to make the illusion of a single struck chord. I would take in the Bass: Eb Bb G Bb with the LH fingers arpeggiating as fast possible with 5212, where the final Bb is played together with the RH playing the Eb Bb Eb chord. Make sure you arpeggiate just before the 3rd beat not on it, the RH chord should be played together with the LH 2 on the Bb on the 3rd beat.
"The biggest risk in life is to take no risk at all."
www.pianovision.com

Offline nanabush

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 2081
Re: La Fille -- Prelude 8 book 1 -- Debussy
Reply #3 on: May 03, 2005, 02:36:11 AM
what he said...
Interested in discussing:

-Prokofiev Toccata
-Scriabin Sonata 2

Offline quasimodo

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 880
Re: La Fille -- Prelude 8 book 1 -- Debussy
Reply #4 on: May 03, 2005, 06:05:08 AM
Most of interpretations I heard split it that way : Eb - Bb + pedal at LH and then G - Bb - LH and Eb - Bb - Eb RH (and that's how I do it as well).
" On ne joue pas du piano avec deux mains : on joue avec dix doigts. Chaque doigt doit être une voix qui chante"

Samson François

Offline Bacfokievrahms

  • PS Silver Member
  • Full Member
  • ***
  • Posts: 162
Re: La Fille -- Prelude 8 book 1 -- Debussy
Reply #5 on: May 03, 2005, 07:25:59 AM
I can play the chord but I arpeggiate it because it sounds better

Offline Chrysalis

  • PS Silver Member
  • Full Member
  • ***
  • Posts: 190
Re: La Fille -- Prelude 8 book 1 -- Debussy
Reply #6 on: May 03, 2005, 11:17:58 AM
thanks for all your help gentlemen!
I think i indeed first play one or two of the lowest notes continued by the rest as a chord....or just arpeggiate the whole thing.. thanks folks
Debussy Rox! Debussy Rox! Debussy Rox!

Offline nanabush

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 2081
Re: La Fille -- Prelude 8 book 1 -- Debussy
Reply #7 on: May 04, 2005, 02:08:29 AM
Now you got it!! ;D lol
Interested in discussing:

-Prokofiev Toccata
-Scriabin Sonata 2

Offline lostinidlewonder

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 7842
Re: La Fille -- Prelude 8 book 1 -- Debussy
Reply #8 on: May 04, 2005, 03:28:05 AM
You dont just arpeggiate the whole thing. The Rh plays as a chord together with the last note in the LH roll.
"The biggest risk in life is to take no risk at all."
www.pianovision.com
For more information about this topic, click search below!

Piano Street Magazine:
Tamara Stefanovich: Combining and Exploring Pianistic Worlds

Pianist Tamara Stefanovich is a well-known name to concert audiences throughout the world and to discophiles maybe mostly known for her engagement in contemporary and 20th century repertoire. Piano Street is happy to get a chance to talk to the Berlin based Yugoslavia-born pianist. Read more
 

Logo light pianostreet.com - the website for classical pianists, piano teachers, students and piano music enthusiasts.

Subscribe for unlimited access

Sign up

Follow us

Piano Street Digicert