Hello,Is there a specific hand position that is well suited for this etude (which I may be doing wrong)?Should the wrists be high or low? How about the fingers?
Sviatoslav Richter played this #2 following Op 10 #1, and he rested with Op 10 #3, at a concert in Prague (in a set of about 15 CDs). Also the blind Japanese pianist who shared in the gold medal at the last V Cliburn contest played the entire Op 10 set straight through. Being blind I could hardly see (no pun) how he could negotiate #8, but he did. Amazing.
Somebody wouldnt be much of a professional pianist if he wasnt able to do this
I disagree...I mean, what does that make pianists like Walter Gieseking, Helene Grimaud, Arthur Rubinstein, ...?
I mean, you wouldnt be much of a professional pianist if you wouldnt be able to perform op 10/1 and 10/2 right after each other. I remember having fatigue problems when i first practised these pieces, especially last page of 10/2. But if you developed those problemetic fingers enough, it wont be much of an issue anymore.
Oh...ok...but still...
I would suggest playing the other etudes firstEtude Op.10 No.2 is the hardest one.