Piano Forum

Topic: Most helpful piece  (Read 1346 times)

Offline Rach3

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 664
Most helpful piece
on: May 15, 2005, 03:36:43 AM
I was thinking about what it means to learn a piece, beyond the obvious result of being able to play it. I mean how the process of practicing and learning improves you, gets your fingers more agile, or you mind more flexible. Or perhaps makes you a more experienced musician. So...  in retrospect, what one piece of music has most helped you in becoming a pianist? (and I sure hope it ain't Hanon)

For me, I think it would have been the op. 81a Beethoven sonata.
"Never look at the trombones, it only encourages them."
--Richard Wagner

Offline stebroccm

  • PS Silver Member
  • Newbie
  • ***
  • Posts: 16
Re: Most helpful piece
Reply #1 on: May 15, 2005, 04:11:33 AM
chopin etude in 3rds, tchaik PC1

Offline daemon

  • PS Silver Member
  • Newbie
  • ***
  • Posts: 4
Re: Most helpful piece
Reply #2 on: May 15, 2005, 04:19:13 AM
chopsticks

Offline Goldberg

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 378
Re: Most helpful piece
Reply #3 on: May 15, 2005, 04:22:38 AM
I think there are three essential pieces that have made me the pianist I am today, for the better. I am no genius, but the following pieces have been imperative for my understanding and appreciation of music and technical ability: the Goldberg Variations, Beethoven's op. 27 no. 1 and Liszt's HR6.

Now, I will quickly say that I only learned half of the Variations over a period extending almost a year, and I never played them very well (though I could hit the notes and play with an at least tolerable degree of understanding....it still was nowhere near good enough of course, I was only 15), but it was my first big project and I did most of the basic work on my own, starting my independent endeavor in learning music, even though at the time I also had a teacher. Beethoven's op. 27 no. 1 was basically the same way. As for the HR6...well, that was the first piece I learned entirely by myself after I quit lessons, and frankly, my performance of it at my school recital was the best one I have ever had of any piece. It was with that piece that I truly developed an appreciation for and understanding of advanced technique, demanded by the octaves of course, and I worked tirelessly to get the piece to a high standard, though it wasn't as perfect as I would have preferred. I feel that working alone, I have much more motivation and a clearer thought potential, and the HR6 proved that I was able to accomplish significant amounts just by myself.

Interesting thread.

Offline steinwayguy

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 991
Re: Most helpful piece
Reply #4 on: May 15, 2005, 09:30:13 PM
Chopin Etude Op. 10 No. 4. This piece totally opened my eyes to the possibility of "arm involvement" in piano playing. Before that I had absolutely no sense of refined technique.

Good thread.

Offline viking

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 567
Re: Most helpful piece
Reply #5 on: May 16, 2005, 02:31:37 AM
Prelude and Fugue in C#minor, BK1.  Bach is amazing, after playing 2 hours of bach, your other peices are WAY better.  Its like 2 hours of bach puts 10 hours into your other songs.  Before a competition, I spend the last few days playing bach and it really pays.  (Although not always fun)
SAM

Offline nanabush

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 2081
Re: Most helpful piece
Reply #6 on: May 16, 2005, 02:34:54 AM
Probably an etude in running passages such as Revolutionary, 10/4, for example.  It helps with hand coordonation, phrasing, and overall accuracy.  After learning these types of pieces, pieces a step above such as octave etude, etude in thirds, and feux follets imo will come somewhat faster... :-\
Interested in discussing:

-Prokofiev Toccata
-Scriabin Sonata 2
For more information about this topic, click search below!

Piano Street Magazine:
Remembering the great Maurizio Pollini

Legendary pianist Maurizio Pollini defined modern piano playing through a combination of virtuosity of the highest degree, a complete sense of musical purpose and commitment that works in complete control of the virtuosity. His passing was announced by Milan’s La Scala opera house on March 23. Read more
 

Logo light pianostreet.com - the website for classical pianists, piano teachers, students and piano music enthusiasts.

Subscribe for unlimited access

Sign up

Follow us

Piano Street Digicert