As a collaborating partner Piano Street is proud to present the third issue of The World of Piano Competitions, a new magazine initiated by PIANIST Magazine (Netherlands and Germany) and its Editor-in-Chief Eric Schoones. Here we get a rich insight into the world of international piano competitions through the eyes of its producers and participants.
Click cover to download:
Contributing Editors: Mark Ainley, Gustav Alink (Alink-Argerich Foundation), Patrick Jovell (Piano Street), Rudy Tambuyser
Piano Street is happy to share the third issue of WOPC with our readers free of charge: The-World-of-Piano-Competitions-issue-1-2020.pdf
Gustav Alink reports
Paderewski Competition, Bydgoszcz
Long-Thibaud-Crespin Competition, Paris
Bartók World Competition, Budapest
The International Telekom Beethoven Competition Bonn
Claire Huangci & Gerrit Glaner on Paris Play-Direct Academy
Gilles Ledure, Queen Elisabeth Competition
A conductor’s view: Gilbert Varga
A technician’s view: Peter Head, Maene Piano’s
Rob Hilberink, Liszt Competition Utrecht
A teacher’s view: Rena Shereshevskaya
A director’s view: Adam Gatehouse
International Edvard Grieg Piano Competition
Concours International Piano Val de Travers-Neuchâtel
ARD International Music Competition
Santa Cecilia International Competition
The International Schubert-Competition Dortmund
International Franz Schubert and Modern Music Competition
Behind the Scenes
Play it safe or commit to being personal?
Florian Riem, Interim Secretary General WFIMC
Virtual Reality at the Chopin Competition
The piano enjoys a tremendous popularity worldwide and has the universal quality to be able to communicate through cultures, history and geographical borders. The value of piano competitions cannot be overestimated in terms of focus on the piano as an instrument and piano playing. The competition industry engages a multiplicity of concerns including hi-end piano manufacturing, media coverage and broadcast, repertoire spotlight and pedagogy, concert and lecture production and not least, career opportunity and exposure for laureates and non-laureates. All this contributes to a richer cultural life and can powerfully promote the aim we all share: to spread the joy and riches of the art of piano playing.
”Piano music, especially live, is incomparable and can be a great source of joy for players and listeners. We all should strive to allow as many people benefit from it as possible. For that, this edition of The World of Piano Competition is an excellent form of encouragement. I hope its message spreads widely! I wish everyone much joy reading it and, later on, attending a concert!”
— Guido Zimmermann, President Steinway & Sons Europe
THE WORLD OF PIANO COMPETITIONS
is published twice a year by PIANIST, as a part of the regular edition, and also worldwide as a separate magazine.