From the International Musicians’ Seminar, Prussia Cove, we here present a clip from a Masterclass on targeting characters between movements.
Schiff also works on the disposition of form in order to rightfully serve the rhetoric qualities in Bach playing. In this particular Masterclass, András Schiff works with a student on Bach’s Second Partita for Keyboard, one of a set of six and the last group of keyboard suites Bach composed. As with the earlier French Suites and the English Suites, the Partitas consist of a series of dance movements but Bach’s skill and originality have now elaborated the hitherto straightforward dance forms and given thema richly polyphonic, almost orchestral texture. In 1731 these Partitas were collectively published as Clavier-Übung (“Keyboard Exercise”).
András Schiff is one of the great interpreters of Bach and a firm advocate of playing Bach’s keyboard works on the piano. As soloist he has performed and recorded many of Bach’s major keyboard works, and his recitals fill concert halls throughout the world.