1.Study harmony, counterpoint, solfège, music history etc. 2. Forget all of it (as somebody else suggested somewhere on this board)3. Grow up4. Live
Repost:I recommend approaching like this:1) Learn Music Theory. There really is no way around this, I've never heard of a professional composer who hasn't had at least a bachelors level education in music.2) Expose yourself to as many musics as you can. Seriously, listen to everything.3) Develop your aural skills to a high level. Nothing is worse than hearing something in your head and not knowing what it is.4) Write constantly, different forms, different tonalities, different instrumentation, go mad.5) Once you've mastered music theory, forget all of it.6) Go and be a composer.#I've posted this many times now, specifically at you for several of them.You will not be a good composer without a good technique. If you want to be original, and by original, I mean slightly less of a carbon-copy, you will have to develop skills. The reason you sound like another composer is because your technique does not enable you create something special. Follow the steps above, they will fix it.
check out some frank zappa as well that guys music is seriously underated he wrote in nearly every style imaginable and made every one sound his own, It annoys me when people refuse to listen to popular music because every composer in history has made references to the current popular sound even if that is not his main style, Ravel included Jazz and blues elements ino his music even though it is still obviously classical so why shouldn't modern composers make references to say motown or metal?
you sound like other people because you haven't listened to enough music yet. you need to know what is out there, and appreciate it, in order to figure out what hasn't been done yet, and thus be original.I suggest you start by listening to as many compositions as possible by the following artists (in no order): The Mars Volta, Rush, Primus, Muse, Killswitch Engage, Mudvayne, King Crimson, Led Zeppelin, The Beatles, Jimi Hendrix, The Doors, Thelonious Monk, Art Tatum, Oscar Peterson, Duke Ellington, Miles Davis, and of course, Beethoven and Bach. You probably won't like all of the above--don't worry about that. Just listen and absorb, see what moves you, what doesn't, listen for which of the above influenced the other, and then, you're ready to begin the real work of finding you're own voice. Good luck. ps, listen to what jabbz said. I'm just giving you some concrete suggestions for his second tip.
Instead of asking "Why do I sound like other composers", try asking "What makes this composer sound like it does". Then the answer to the first question will be that you're copying something from the second one!
I do not want to compose rock.I want to build a space beetween the melody and Harmony.But SOmetimes. THe fine line within space and structure is not defined.
I do not want to compose rock.
I suggest you start by listening to as many compositions as possible by the following artists (in no order): The Mars Volta, Rush, Primus, Muse, Killswitch Engage, Mudvayne, King Crimson, Led Zeppelin, The Beatles, Jimi Hendrix, The Doors, Thelonious Monk, Art Tatum, Oscar Peterson, Duke Ellington, Miles Davis, and of course, Beethoven and Bach. You probably won't like all of the above--don't worry about that. Just listen and absorb, see what moves you, what doesn't, listen for which of the above influenced the other, and then, you're ready to begin the real work of finding you're own voice. Good luck.
You will not be sued for SOUNDING like another musician. Look at the thousands of pop bands which sound identical to each other, no lawsuits there.At this really early stage, you should LEARN TO COMPOSE BEFORE TRYING TO WRITE A FORM AS ADVANCED AS A SYMPHONY. Do you even know how to write for different instruments, do you know anything about orchestral technique, colour, conducting, instrumentation, symphonic forms?Seriously, go write a minuet or something.
You will not be sued for SOUNDING like another musician. Look at the thousands of pop bands which sound identical to each other, no lawsuits there.
jabbz, I think he meant playing Ode to Joy in C doesn't affect the aura (diminish the effect).
9th Symphony is in D minor, not C major.Beethoven is not a 'her'.You will not be sued for SOUNDING like another musician. Look at the thousands of pop bands which sound identical to each other, no lawsuits there.At this really early stage, you should LEARN TO COMPOSE BEFORE TRYING TO WRITE A FORM AS ADVANCED AS A SYMPHONY. Do you even know how to write for different instruments, do you know anything about orchestral technique, colour, conducting, instrumentation, symphonic forms?Seriously, go write a minuet or something.
Our professor told us about that he acted as an adviser in lawsuits about music. Some Swedish popstar wrote a song that sounded too much like a Lloyd Webber tune. He advised the popstar which is well known locally here in Sweden not to release the song cause he suspected Lloyd Webbers lawyers would destroy him. I think there´s quite alot of these lawsuits. I remember Abba suing KLF for sampling something out of Dancing Queen and it ended up KLF burning up all the unreleased singles as a performance statement.
jabbz, I think he meant playing Ode to Joy in C doesn't affect the aura (diminish the effect).True, true. There is nothing wrong sounding like other musicians, unless it is identical - you deliberately copy something.Start with smaller genres, both in composing and listening. Simple things are the best.
Where will I get more Information.
why would you even want to be like Kajiura Yuki the music is just unoriginal video gaming music with very little artistic value
Write some string trio stuff, quartet, wind quartet, choir mixed ensemble, ect, unless you learn how to effectively write for various different instruments.Use set forms and follow them very strictly. I.e, Binary form, rondo, ternary, ect.
You see Kajiura Composes in Aeolian Scale all the time.Kajiura Yuki is less artistic than you thilk LOONBOHOL.THe most effective way to DeKajiurialize yourself is not to compose at Aeolian Scale.By the way, there are other underrated and frequently unused modes such asIonian, Dorian,Phrygian,Lydian,Mixolydian and Locrian modes.Aeolian is overrated.And the best guarantee to make your music different from Kajiurian is to composesomething Mixolydian or Lydian. Not Just Aeolian.
If You are composing a symphony.WE'll You have to be careful since composing a symphony is life threatening and I care about you since you are still Fifteen years old.Composing a symphony Is a sign that you are trying to kill yourself.Is this your First Symphony.And For the other Forum page. Frank_48 Just finished his 7th symphonyWE'll HE has to stop before it is too late.And Loonbohol has been warned too early.And It is real and many composers are victims.
What are these things.........I do not even hear and these things do not exists in my musical reference.And Are you suggesting me to compose songs from other cultures which I never ever heard of.EXPLAIN
If You are composing a symphony.WE'll You have to be careful since composing a symphony is life threatening and I care about you since you are still Fifteen years old.You see Kajiura Composes in Aeolian Scale all the time.Kajiura Yuki is less artistic than you thilk LOONBOHOL.THe most effective way to DeKajiurialize yourself is not to compose at Aeolian Scale.
What are these things.........I do not even hear and these things do not exists in my musical reference.And Are you suggesting me to compose songs from other cultures which I never ever heard of.EXPLAIN WHAt does this mean. What makes Symphonies lethal by the way?It does not mean that if Frank_48 would push further in composing more Symphonies does not mean he is murdering himself.And it is rarely that The conductor will fall into stage.
There is some sort of curse surrounding the fabled 10th symphony apparently. The only real reference I can think of is Mahler. It's a load of nonsense of course.Yeah, Modes are very important, but it depends on their application.
What is the curse of the 10th symphony?I have the right to know about it.
Yes, I think you're overestimating Kajiura. The music is very similar to other Japanese soundtrack and game music. Japanese music is great, but it's not everything there is.
to not sound like Kajiura Yuki than composer well
I'm interested in seeing or hearing some of your compositions. I know you don't like them but if you allowed the members of this board to see the music or hear it then you could get some useful critique. Good luck composing.
Your underestimating her in an overestimated way.More than 10,000 comments in Youtube says that Kajiura is the best composer in the world.And she had sold over 5,000,000+ tracks which is a hundred folds more than those boring Filipino composers except Nicanor Abelardo.and seven folds more than the average composer
The melodies are nice, I would suggest beefing up the harmonies. You need that full, complex orchestral sound.