As long as every young hot-shot is hell-bent on learning Rach2, Rach3, and Tchaik1, that's all we are going to hear. Who knows how to spell Scharwenka? Also, listeners like to listen to familiar things, just like everyone tends to eat and drink what they already know. It takes people like Hough and Hamelin to try to make the rarer composers and pieces more popular. Normal orchestras don't have that kind of luxury. They need to fill their halls, and that's why they must play crowd pleasers. To change the system, one has to start educating the listener. But as I said, musicians are just as much to blame for this situation. What pianist is familiar with piano concertos by Vianna da Motta, Holbrooke or Litolff?
There is nothing wrong with playing all the popular stuff, but the problem is that that is ALL that people are willing to listen to. I am trying to implement a new policy for myself when granting requests to play: Yes I will play a popular request, but before I do the requester will hear a piece of music they do not know. For every request of a known piece, the listener will hear an unknown piece as well.
Rach 1?! who's the soloist? I'd definitely go see that.
Alexei Yemstov under Vladimir Ashkenazy
I've never heard of Yemstov but its cool that Ashkenazy will be conducting. I feel that he conducts this work much better than he plays it.
Going to see Marc-Andre Hamelin- He's playing Beethoven's Fourth Concerto. Should be a good show.