I really think that anyone who doesn't hear Lang Lang's enormous talent must be deaf. Yes. Deaf.
Or maybe just an untalented listener.
The concerto performance really shocked me - this was one the most well-understood performances of that piece that I have ever heard, period. Extremely refined playing, really moving at times, and technically glittering. The tone seemed lovely over the television, and the whole thing was really held together structurally.
I'm tired of everyone saying how superficial he is - how are Yundi Li or Kissin or Libetta or Hamelin so deeply philosophical? Actually I find LL a much more thoughtful and sensitive an artist than any of them.
Professional jealousy will never die, I guess...