My wife has a peculiar problem. She simply cannot STAND the sound of a French horn.
Multiply this by several times if an orchestra section of French horns comes in.
On one occasion, she fled out of a concert hall in tears, hands covering her ears. This was during a performance of Swan Lake.
What is the cause of this? What should she do?
We were thinking of a kind of therapy where she begins listening to quiet pieces played by English horns, and then slowly tries to tolerate baritone solos ("Asleep in the Deep") and finally attempts to endure the sound of a French horn -- initially for a few seconds, perhaps, and then building up resistance.
Really, one must question why any composer would want to write for French horns anyway. They are almost unendurable.
Any advice appreciated . . .
Is this serious? It can't be. Maybe someone could have a hearing issue with horns, but... building tolerance listening to an English horn? That's a double reed.
Any instrument can be played badly. You have to have good ears for the horn. The harmonics are so close it's easy to miss notes if you don't hear them right and if you don't practice them right.
Wide range compared to most instrument. A plus for the horn.
Very dark sound. Blends well with brass or woodwinds.
Unfortunately it's the "alto" instrument and gets stuck with static repetivie parts a lot.
I like the sound of the French horn myself. Played well of course.
And of course you can't have the same effect in a movie, shock and surprise, without French horns.
It's a different creature, but it wouldn't be around if there was something to it. There are plenty of other instruments that "almost" made it, but aren't around much anymore.