I finally figured one out (I don't play the piece) that I think will work for all of these recurring passages in the Eighth Sonata. Here it is:
5-2 3-1 5-2 4-1 4-2 3-1 5-2 3-1 5-3 4-2 3-1
I have an alternative to my fingering idea. And just one thing to point out, that is that sometimes you have to be flexible whether you use 3 or 4 coming from 5. It's not the same for every transposition. An alternative would be:
5-2 3-1 5-2 4-1 4-2 3-1 5-2 3-1 5-2 4-1 5-2
but maybe you don't want to end the pattern on 5-2.
I would also play most of them with two hands instead of one. Playing with one hand would give you practice for the part where the left hand can't help out, but why not just practice that part as it is, and not make more trouble for yourself by trying to figure out one hand for all the rest?
Walter Ramsey