Ok, thanks el nino! I shall definately keep that in mind the next time I play it However, I find it hard to relax. Could you tell me what, in the video, told you that I wasn't relaxed? And methods to help me relax?Cheers,Henrah
However i can think of other things that you can consider, but am not a piano teacher so i wont mention them to you. I like your bench hight.
No please do mention them! You've got me curious now!(considering the widely taught 'elbows must be at same height as hands'), and I don't think I played as well....think I'll lower it back....
( 1 ) i think it is a good idea to pull the piano bench back and bring your body to the front edge of the bench, ie not sitting on the center of the bench in a lazy way, as though you are doing homework.
( 2 ) Its a good i dea to lengthen your upper body, not like a soldier, just more upright.
( 3 ) IF you want to play like Horowitz slightly, bring yout left foot back from the Knee joints and slightly bring your upper body forward into the piano keys, this way you are playing into the piano keys (keep your right foot on the pedal). Hence some body weight, and you will look DAM COOL, ( trust me )
Comments and crits highly appreciated, and also your own interpretations (i.e. crescendos/diminuendos, more expression etc etc), I'd love to hear them!Henrah
. Anyway from a composers' point of view I would say most of Chopin preludes are over-rated and shouldnt even be performed.
Anyway from a composers' point of view I would say most of Chopin preludes are over-rated and shouldnt even be performed.
never take a word from anybody especially pianists rather see what they do and compare it with what they say...U will be suprised!
I thought you did an admirable job on the preludes. Here is Sergio Tiempo performing Prelude No.4 in E minor.EnjoyCheersallthumbs
I would also like to see a video of zheer playing, but I shall not be looking for reasons to doubt what he advises to me. I take all the advice I am given on my playing, and use any and/or as much of it as I need.Zheer, I'm confused by your last sentence 'YOUR FAILURE TO REPLY IMPLIES.....' What does it imply?
Btw, what will you be playing in this video? In fact, what pieces by what composers can you play? I'd love to also learn a piece you know/are learning so we can converse about such matters as how to play it, what the composer might have wanted etc etc. I think it would be beneficial to both of us!Henrah
which beautiful or delusional prism u use to look at is still mediocre at its best....
Thank you allthumbs, what a wonderful compliment!
Thankyou also for the Sergio Tiempo video! I hope not to offend you, or anyone else by saying this, but I don't like Tiempo's use of rubato so much. I find that he slows down then speeds up after every change in the RH, and I think he overuses it. Although I love it from the forte section to the end, that is simply marvelous playing. He is wonderful at dynamics, but I find his rubato in this piece a bit too exaggerated.
You are welcome!No offence taken, I agree with you that he over uses the rubato to the point of playing the piece rather unevenly. I included this video, as I too enjoyed his dynamics and the way he played the last three chords especially.Cheersallthumbs
Then again, this piece is horrible when played mechanical, so some kind of happy medium is require, imo at least.
Hi henrah, I watched the videos of both Chopin Preludes and I think you play them good. I do want to give some own opinions about the way you play the No.4 Prelude. This is really a matter of taste and you play the No.4 real nice, but it didn't "touch" me if you know what I mean. Of course, your playing it in a video and the sound quality could be better, I know, but I really listen to the way you play this Prelude. I'm not gonna compare you with a proffesional pianist, but I really do like the way how Sergio Tiempo plays this Prelude (of course, he's playing on a Steinway and has a nice video recording, but I only talk about the way he plays it... Let this be clear ). I watched Sergio's video of the No.4 Prelude many times and I heard a lot of recordings by many pianists of the No.4 Prelude, but in my eyes, nothing can beat Sergio's performance of it.Anyway, you did a nice job and I like your piano!!
I liked both preludes, well done mate!If I could suggest anything, maybe a little more rubato and dynamic on No4? Its my belief that this prelude is all about expression.Prelude 6 may be a tiny bit quick?Nice job!Steve Jones
Hey Henrah.I really liked your friends composition,very nice.Can you possibly get the sheetmusic or PDF for it i liked so much i want to learn it .How long have you been playing? You have good "piano fingers" i believe,since mine are short and stubby,ugh, which i dred On Prelude4 the the LH seems like it is drowning out the RH,maybe you could be me softer when playing the LH,just a suggestion,well since it was told to me . I liked the way you did the crescendo/forte on Prelude 6.You have a nice "touch" on piano.Great Job by the way.
I agree totally on his use of rubato. There comes a point where it ceases to be a mechanism of expression and simply becomes untidy!Then again, this piece is horrible when played mechanical, so some kind of happy medium is require, imo at least.
Martha, Zheer is right. All you are talking about is your personal opinion on Chopin's preludes and on my friends composition, and on the popularity of some composers overriding the lesser knowns. All I can advise is to be more objective, and see the arguement from the other participant's point of view and really take it into consideration.
BTW its ur interpretation of Chopin that really sucked....please stay away from Well known composers may be u shud stick to playing ur friends composition...
Infact i would love to hear Henraha play more Chopin, it would be even better if he could re-record prelude in E minor and re-post it so we can see haw it has developed.
Cheers infected mushroom!Thanks for the comments Steve! I know what you mean by No.4 being all about expression, and I am slowly - but surely - coming to my own expressive imagination, and am finding new ways everyday. I shall seriously consider your comment I am always playing No.4 differently, everytime I play it, because everytime I play it I'm in a different mood and am thinking/feeling different things - so it's very hard to tie down my own thoughts on this piece.Cheers Steve!Hey Instromp, thanks for the kind words! I can only supply the sheet music in Sibelius 2 format, as I have no idea how to export it as a/to a pdf document. Oh and I've been playing for 6-7years cumalitive Right with you there on the LH being softer! I am constantly trying to play soflty and yet also keep the volume at a steady level, and it is a very hard task. I need to find the softest I can play on my piano, then learn how to play it like that continuously. Thanks again!You are unabolishedly correct there Steve. So true, so true...Martha, Zheer is right. All you are talking about is your personal opinion on Chopin's preludes and on my friends composition, and on the popularity of some composers overriding the lesser knowns. All I can advise is to be more objective, and see the arguement from the other participant's point of view and really take it into consideration.Zheer, hope your nails are looking lovely!
Henrah and her friend are creditting their success to Chopin after learning the Preludes and composed a version of their own.
but he based his composition off of Rach's Prelude in C#minor and Liszt's La Campanella, two of his favourite showy pieces.
Are you American? BTW why should he stay away from well known composers, thats a little rude. Infact i would love to hear Henraha play more Chopin, it would be even better if he could re-record prelude in E minor and re-post it so we can see haw it has developed. BTW its good to have an opinion that is personal, but you must remember that thats all that it is, a personal opinion.
Hey hey hey, I'm American. So what? What does that have to do with Martha's rudeness? Don't steriotype. =)And btw, your friends composition is really wonderful! I really loved the way it developed into those poweful chords after being so soft and gentle.Great job on those preludes as well!