Technique 10/10.Musical substance 0/10.
ill have to agree there. try to expand beyong cziffra and perhaps look to other pianists that have been known to improvise, like keith jarrett, marc-andré hamelin, and earl wild. all of these men ahve broken ground in improvisation also.
https://video.google.com/videoplay?docid=6897473452310143900my improvs, i tried to copy cziffra, but I believe it doesn't sound like him at all................https://video.google.com/videoplay?docid=7166967532762278587what do you think, do you like my technique......I believe it lacks clarity........please listen, and comment, it means alot to me.Mikhail, 15 years old.many thanks
absolutely, I agree the musical value of my improvs is very little.perhaps you can give me actual themes to improvise on.take care.
*sincerity check* from your videos, youre obviously very proud of yourself, so why dont you cut the crap and stop trying so hard to act humble? The contradiction makes it hard to respect you.I felt sick when you said 'I'm finished, thank you' because when Cziffra said it, it was like he was a slave -a performing monkey for the cameras- while you are not; you got all dressed up for this 'improvisation' and you had to do the little PBS-style speech at the beginning... it's really not convincing, I'm afraid. Also "I could unleash for days" is a terrible thing to say about yourself. Good improvisors would have left comments like that to other people to say. Yes, I did -I felt sick --> to know that Cziffra's legacy is being so warped in the hands of today's youth.The difference between Cziffra's improvisation and yours, is that he doesn't hit dead ends and use the same trick over and over again. He also builds it up to a climax rather than have it go crazy from start to finish. and his improv is actually improvised.When I saw that you were going to do that Jewish one, I was really hoping you would simply play the melody and the proper rhythm initially just so that we know what theme you are going to 'improvise' on. I really could barely recognize it.. and then I was hoping you would build it up to a lively dance with a stamping beat (like the ending of Hungarian Rhapsody No. 11 ) before doing the arpeggios and bombastic things, which mustnt be overdone!believe me, the problem isnt with the themes..--------that said, I really do envy your right hand technique
*sincerity check* from your videos, youre obviously very proud of yourself, so why dont you cut the crap and stop trying so hard to act humble? The contradiction makes it hard to respect you.
my improvs, i tried to copy cziffra, but I believe it doesn't sound like him at all................
How did you get such good right hand technique, its amazing. What type of stuff did you play to get it that good?
P.S I will try to work on better musical form in improvs, also, sorry for my idiotic Cziffra quote, I am idiotic, and I know it.
And daSDC knew it
can you play piano at all? can your fingers move? No? Then do not critisize so harshly.all of you guys are jealous of my technique.go practice hanons!and scales!
o0o0o0 maybe u shouldnt have said something like that on here ......i think this will cause you to get "flamed" by the other members....
o man ur crazy! You can play the same arpeggio for 3 whole minutes!!!! HOLY CRAP wow I wish I had the same level of right hand technique as you! And you could unleash for days? wow some sorta prodigy!
Not bad. When I started improvising, I couldn't even play the piano! You've got a lot of technique available to you from the very beginning! You probably are already---but get comfortable improvising in all 24 keys...some of the other advice above was good--try using all sorts of different chords and positions, and definitely experiment with rhythm.Good luck in your musical endeavors!
the other members can suck my.................(sorry for the profanity)*** their slow fingers!
the other members can suck my balls\!!!!!!!!!!*** their slow fingers!
LMAO!!! But now who's making the obnoxious comments?
true.biggest appologies, I just snapped.sorry.
the other members can suck my balls\!!!!!!!!!!
Even Hanon sounds more interesting than your pathetic attempt at improvising.
Mikhael, i know you are young and all, but please stop believing that you are "mr.big shot" because of your arpeggios and scales. Saying things like "your just jealous", "suck my balls", "go practice hanon to become as good as me", just goes to show that you have very little understanding for what you are doing. I dont know if those comments is an attempt to sound like cziffra (who appearantly was known for being arrogant sometimes), but in your case its just pointless. Your improv-attempt to sound like cziffra failed miserably, instead you came up with some sort of czerny excersize in repeat. I encourage you to find out what improvisation means, and youll see that its so much nore then "melody in left hand and scales in right". That being said, you obviously have much power in your fingers, but lack quite a bit in your head. So start growing up and get off that high horse of yours.
You should learn Hungarian Rhapsody No. 2 (Friska) By Liszt, With your technique you will own it I reckon (with the octaves and scales) wow...
I played Liszt Concerto, Liszt Spanish Rhapsody, Gnomenriegen, La Legierrza.Now I am working on chopin etudes and nocturnes.
Please post sum recordings of these things.
Please please please please PLEASE post Gnomenreigen! I love hearing other people's interpretation of that piece, it has so many possibilities HenrahP.S. PLEASE!!