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Topic: Help identifying a nocturne  (Read 1392 times)

Offline verywellmister

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Help identifying a nocturne
on: July 14, 2006, 02:22:23 AM
There was this one Chopin nocturne I heard that I really liked.  It had some violent sections in it.  I've been trying to figure out which one it is (its been so long so i dont rememeber what it sounds like).

Which one of the nocturnes have "violent" or loud chords passages?

Thanks.
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Offline chopinfan_22

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Re: Help identifying a nocturne
Reply #1 on: July 14, 2006, 02:30:52 AM
Um... Op. 27 No. 1 does. The truth is, a lot of them do. Op. 15 No. 2, I think.
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Offline bella musica

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Re: Help identifying a nocturne
Reply #2 on: July 14, 2006, 04:35:17 AM
Could be Nocturne in C Minor, Op. 45 No.1.  That one has lots of chords and octaves and gets pretty turbulent.
A and B the C of D.

Offline Kassaa

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Re: Help identifying a nocturne
Reply #3 on: July 14, 2006, 10:43:48 AM
Could be Nocturne in C Minor, Op. 45 No.1.  That one has lots of chords and octaves and gets pretty turbulent.
Opus 48 that is, it could also be opus 15 no. 1.

Offline bella musica

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Re: Help identifying a nocturne
Reply #4 on: July 14, 2006, 07:03:51 PM
Yah, whoops!  Op. 48 is what I meant!
A and B the C of D.

Offline mediocre_pianist

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Re: Help identifying a nocturne
Reply #5 on: July 14, 2006, 07:14:14 PM
(first post, new member)

Maybe it's the Op. 37 no.1 in g-minor? Because in bar 42, the key changes to a major key with chords that have a crescendo.

Offline Kassaa

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Re: Help identifying a nocturne
Reply #6 on: July 14, 2006, 07:18:26 PM
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Maybe it's the Op. 37 no.1 in g-minor? Because in bar 42, the key changes to a major key with chords that have a crescendo.
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Actually, most of the nocturnes have this tough middle part, just listen to them all.

Offline phil13

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Re: Help identifying a nocturne
Reply #7 on: July 14, 2006, 07:20:13 PM
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Maybe it's the Op. 37 no.1 in g-minor? Because in bar 42, the key changes to a major key with chords that have a crescendo.

The chorale-like middle section isn't really violent, though. It's calm compared to some of the others.

Here are some ones with truly violent sections:

Op.9 No.3 in B
Op.15 No.1 in F
Op.15 No.2 in F#
Op.27 No.1 in C#m
Op.48 No.1 in Cm
Op.55 No.1 in Fm

As far as I know, it is probably one of these.

Phil
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