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Alexander Scriabin died in April 1915, at forty-three, of a fever that took him within a week — leaving his great mystical project unfinished. He left behind a piano language no one had spoken before, one that a century later still questions every interpreter who approaches it. Boris Petrushansky has spent a lifetime preparing his answer. In a new album and an extended conversation with Piano Street, he traces Scriabin’s path from the early Preludes to the final, shattering Op. 74. Read more
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Topic: Chopin, Prelude, Op. 28, No. 7 in A  (Read 10820 times)

Offline rachfan

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Chopin, Prelude, Op. 28, No. 7 in A
on: July 16, 2006, 03:22:40 AM
This prelude of 16 measures is probably the most difficult piece Chopin ever wrote.  Its treachery lies in its apparent simplicity.  One could spend a lifetime on this piece trying to attain perfection in performing it.
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