yes, random, yes pointless, yesssssssssss, wuuuuuu
2 - who is the greatest pianist youve met? Horowitz
1 - who is your pianistic idol? you mean that i'd want to follow around and watch their every move to glean knowledge? probably my teacher carl cranmer. i guess because you can ask questions, too. sometimes just watching isn't enough. idol can mean several things. in the pianistic world what probably is a deciding factor is 'how much would you pay for a ticket to hear them?' i'd pay $100. for hearing my teacher. i think he's worth it. several times i've heard him for FREE at the grandballroom near the kimmel center. he is equally comfortable in a salon setting - which i like better (the ballroom) - so you can sit closer and hear better.2 - who is the greatest pianist youve met? met? well, i'd like to meet barry douglas. will that ever be possible? i'd have to say my teacher again (and the teacher before that). they are great to me because they share what they know. jean-paul billaud was a great to me - because he personally knew some famous pianists (cortot, august de radwan, margarete long) and was from a previous era in piano. graduated from the paris conservatory. 3 - who do you think is the greatest improviser at the piano? i heard a guy by the name of eutaneak kim who was either being being video clipped or did a really wild wild rendition of classical music clips all put together. when i first heard it - i was angry that he'd turn everything into a sort of medley - but then after the fact - i was amazed that he could keep going and going and going. maybe it was clips itself - but it seemed there was no break. the only thing i didn't like was the predictable forte, piano, forte, piano - and the forte's seemed very loud to me.4 - do you primarily improvise, play repertoire, or a mix of both? i cannot improvise. i am terrible in fact. i can add to arrangements - or rearrange things. mostly repertoire.5 - do you believe in exercises or do you believe that repertoire covers all technical skills? both6 - when did you start listening to piano music? when very young.7 - when did you start playing the piano? at 8 yrs.8 - what is your favourite popular music artist/group? shania twain - 'that don't impress me much.' ok. i have to say that i used to listen to country music a lot and don't that much anymore.9 - what is your favourite non-piano work? it would have to be an opera or vocal lieder of schumann with really great soloists. i heard a really great baritone at the concert the other night who soloed in beethoven's 9th.10 - what is your fave solo piano work? beethoven's waldstein11 - what is your fave chamber music work? i'm not a fan of chamber music unless it's really good and the strings sound 'golden.' perhaps the better question is who's playing. isn't there a quartet by the name of rassmusky? or something. i'd like to hear them.12 - what is your fave concerto? concerto for glass harmonica or some concerto i heard for marimba. surprisingly, i think some piano concertos are too predictable - but maybe leroy anderson's piano concerto would be my ultimate.13 - what is the 'hardest' piece you can play? chopin etude (thanks to my teacher). hard is a relative term. is it hard to sightread, techincally hard, interpretavely hard?- sometimes you think you play something really well and a teacher tells you you're way off. i think it would mean something hard that you've mastered. etudes i play in private. i guess mozart's fantasy is something i'd play in public.14 - how fast can you play? at the speed of light.15 - does virtuosity on its own impress you? no.16 - are you pro or anti lang lang? i don't think this is a fair question. he is obviously talented. he has a different focus in piano - showmanship. but, many others do too. is it wrong. probably not if the general public likes it and pays him for it. 17 - what impresses you more; cziffra's technical ability or musical ability? i've not heard cziffra that much. i have heard pollini. i would say of what i know, pollini impressed me both ways. i do think it is possible to play fast and also bring a tremendous meaning to chopin or liszt.18 - what would you rather have; best technique in the world, or best musicality? both. (not necessarily 'in the world' but just excellent).19 - name your top 5 pianistspogorelichmurray peraiahantonio pompa baldicassedesusbarry douglas20 - name the rest of your top 10, randomlyrudolph serkinemil gilelsrichterarraujohn browning21 - name your fave piano composer i don't really have a favorite. just depends on my mood and what i feel like playing. poulenc has become a great interest. so is barber.yes, random, yes pointless, yesssssssssss, wuuuuuugiove me more interesting questions and i may add them
You met horowitz?? what did he say
to Mrs. .Wanna hear about the time I met Martha Argerich? Much more interesting...
2 - who is the greatest pianist youve met? Martha Argerich
20 - name the rest of your top 10, randomlyMoiseiwitsch, Friedman, Gilels, Tatum, Cortot
Nice that someone else appreciates the genius of Moiseiwitsch.
I had just heard Rudolf Serkin play an extraordinary recital. The first half concluded with some Reger monstrosity, a giant loud and tedious set of variations, which he played to perfection and with great involvement and conviction. The Schubert "Wanderer Fantasy" after intermission was transcendental, don't expect to hear that played that well again.So I went back to the green room (Symphony Hall in Boston) and he was mobbed with admirers waiting to shake his hand and congratulate him, including myself. I decided to wait, the line was long, so I ducked into an isolated hallway where there was an ashtray, and lit a cigarette. ( the bad old days... )I turned around when I sensed there was someone behind me. Suddenly, I was face to face with Martha Argerich. She must have been there already and I didn't notice her. She seemed to be hiding, wanting to avoid the crowd. Well, I was stupefied. This was one of my idols, and she is (was? 1981 or 82) even more striking and beautiful than in her photos. She was wearing a black dress, typically, and seemed very tall to me. I felt that I was looking up at her, and I am six feet tall. Then the conversation...ARENSKY: (starstruck) Wow, you're Martha Argerich!!! MAESTRA: (deadpan) Yes. ARENSKY: (probably speaking too fast and excitedly) I have several of your recordings and I love them all particularly the Chopin Preludes and you played beautifully here last season are you coming again soon I can't wait I'll be there you're one of my favorite pianists.MAESTRA: (getting cigarettes (french Galouises, filtered) from purse, removing one from package) Do you have a match or lighter?ARENSKY: ( retrieves matchbox from jacket pocket) Of course! (strikes match, lights cigarette for his female idol)MAESTRA: Thank you.At this point Argerich stood back, inhaled the cigarette deeply and exhaled smoke. She said nothing, and I felt that I had made a very juvenile "fanlike" impression. I stepped back a little bit, not knowing what to say and not wanting to annoy her. I sensed that I had intruded on her privacy and desire to hide from the crowd. So we stood there smoking, not speaking. After about a minute...MAESTRA: You are a pianist?ARENSKY: Yes, I study at Boston University.MAESTRA: My countryman Ginastera will be visiting there soon to lecture. You study with the brother of the conductor DiBonaventura?ARENSKY: No, I study with Bela Nagy, Bartok's student, and his wife Linda.MAESTRA: (looks puzzled, didn't know who they were perhaps) I see.ARENSKY: (getting excited again having found a common topic) I just played the Danzas op.2 last year, they are wonderful. Do you play them too? (instantly thinks "what a stupid thing to say")MAESTRA: (deadpan) Yes.ARENSKY: (extinguishing cigarette, feeling he should leave his idol alone) Perhaps you'll play them here? You will be playing here in Boston again?MAESTRA: I do not know yet.ARENSKY: ( shakes her hand) I was a pleasure to meet you! I'll be at your next concert here!MAESTRA: (smiling faintly) Thank you.I went outside, and came back to shake Mr. Serkin's hand (it was really bony but strong. Martha's hand was not bony, it was large and had meat on it and was VERY strong; you could feel the power in it.) and offer my congratulations. As I turned around I was face to face to face with her again, she was with some yuppie guy (a manager or agent no doubt). She smiled, I smiled back, and then I left and caught the subway back to my dorm. Well, that wasn't that interesting, sorry... but it was for me!
What did she say?
Olga Kern gave me her email and promised to give a me piano lesson any time I dropped by NYC, but she never replied to the email I sent her. Probably got lost in the tides of junk mail she gets.
- ENLARGE YOUR P....- SUPPLEMENTS SUPPLEMENTS- Hey SEXXXY!!!- Hi Olga. Motrax here...- GET 9 INCHES OF HARD...*delete*
ARENSKY: (getting excited again having found a common topic) I just played the Danzas op.2 last year, they are wonderful. Do you play them too? (instantly thinks "what a stupid thing to say")MAESTRA: (deadpan) Yes.
I love the answer to number 14!PS: you definitely need to check out the Bach Double Concerto (played by Jascha Heifetz). Mozart's is good. Brahms' is great. Bach's is out of this world.
Tiaikowskij