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Topic: Unconscious vs. awareness  (Read 1395 times)

Offline quasimodo

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Unconscious vs. awareness
on: August 16, 2006, 08:06:46 AM
Don't worry, it's not called to be an esoteric-ish musico-pianistic thread.
I'm just irritated with the fact that when I try to be in control, concentrate and stuff I almost always do mistakes, while sometimes I play on autopilot - thinking of things totally unrelated with music sometimes - and I don't miss a single note (however, the musicality is most probably very poor).
I'm interested about any input for the matter, the goal being to find the right balance.
" On ne joue pas du piano avec deux mains : on joue avec dix doigts. Chaque doigt doit être une voix qui chante"

Samson François

Offline pekko

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Re: Unconscious vs. awareness
Reply #1 on: August 16, 2006, 04:10:59 PM
Try to record your playing when your playing uncounciously. It may be better than conscious playing, you just cannot know :o

You're propably confused. Chang's book has something on this.
(\_/)
(O.o)
(> <)

Offline quasimodo

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Re: Unconscious vs. awareness
Reply #2 on: August 16, 2006, 04:32:53 PM
Try to record your playing when your playing uncounciously. It may be better than conscious playing, you just cannot know :o
I highly doubt it... and anyway if I know there's a recording device running, it automatically enables the "conscious mode", lol.
" On ne joue pas du piano avec deux mains : on joue avec dix doigts. Chaque doigt doit être une voix qui chante"

Samson François

Offline zheer

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Re: Unconscious vs. awareness
Reply #3 on: August 16, 2006, 04:47:46 PM
   Its important to love the music that one is playing, that way one is able too as Alfred Brendle has descriped as being in control ie concious plus letting go, ie unconcious and always one step ahead of the music, if one can do that then its very good.
" Nothing ends nicely, that's why it ends" - Tom Cruise -

Offline persona

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Re: Unconscious vs. awareness
Reply #4 on: August 21, 2006, 08:35:52 AM
In my experience, it doesn't work to concentrate on the notes to be played or to think of anything unrelated to music. The best results I got were thinking about the sound I'm supposed to execute, and letting the fingers to their work (but not concentrating on the actual movement my hands will be doing, just the sound they'll make)
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