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Topic: chopin first ballade  (Read 1438 times)

Offline walking_encyclopedia

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chopin first ballade
on: August 23, 2006, 04:49:24 PM
i'll be performing this piece along with a WTC prelude and fugue and mozart sonata, in several competitions coming up and thought some of you with experience playing this piece could give me some practice and performance suggestions, especially for the middle, fast scherzo section. that section is harder for me than even the 'presto con fuoco' finale. i've got everything up to speed except that section.

thanx guys

danny
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Offline zheer

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Re: chopin first ballade
Reply #1 on: August 23, 2006, 05:42:01 PM
, especially for the middle, fast scherzo section. that section is harder for me than even the 'presto con fuoco' finale.

    Hahahaha, i know what you mean, well what i do is play it not so fast, instead bring out the left hand melody a lot, and play the righ hand part as a sort of gentle soft water fountain  effect, if done musically one can get away with it. Good luck.
" Nothing ends nicely, that's why it ends" - Tom Cruise -

Offline dnephi

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Re: chopin first ballade
Reply #2 on: August 23, 2006, 05:57:53 PM
Practice slowly the difficult parts toget them good and solid.  Then do with speed and fury.  Good luck.
For us musicians, the music of Beethoven is the pillar of fire and cloud of mist which guided the Israelites through the desert.  (Roughly quoted, Franz Liszt.)

Offline bella musica

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Re: chopin first ballade
Reply #3 on: August 23, 2006, 07:13:30 PM
I've played this one too and trust me, good fingering is everything when it comes to the scherzo section.  As I recall I did a lot of slow practice with dotted rhythms to help keep it solid and even.  Once you can do that, you can experiment around with different ways of playing it.  Good luck!
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Offline quantum

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Re: chopin first ballade
Reply #4 on: August 23, 2006, 11:31:12 PM
The scherzo section has perplexed me for years also. 

What I find helps me is to have whole lot of "mental markers" in this section.  So it is possible to startup up if you do fudge some notes.  Because of all the whirlwind of activity in both hands it can be tricky to get back on your feet if you do mess up. 

I find also that slowing down a bit until you can play it securly at a faster tempo is wise.  Also I've pretty memorized how to play the RH without looking at it so I can direct my eyes to the LH jumps. 

I also found that some of the solutions to this section were not technical, but musical. 
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
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