Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Performance
»
the eye and the ear
Print
Pages: [
1
]
Go Down
Topic: the eye and the ear
(Read 1991 times)
clarinetwife
PS Silver Member
Newbie
Posts: 17
the eye and the ear
on: January 17, 2004, 03:45:20 PM
Hello! I am making my first post here, having lurked for a bit and enjoyed what I see. I am a clarinetist and pianist who teaches a little of both, and an at-home mom.
My question concerns playing by ear and sight reading. I have perfect pitch, and I have never been a good sight reader on piano. (I am somewhat better reading one staff on the clarinet) I love collaborative work, especially sonatas and piano trios involving woodwinds. It is harder to do this because I practically have to have something memorized before I can play it with others.
Is this common? I have a student right now who wants me to play everything for her because she has a good ear (I don't do it.) A friend's mom had a big confrontation with her music teacher when she was young because my friend relied on her ear and hadn't learned to read well.
Pardon my "longwindedness"
Any comments or tips on this?
Logged
bernhard
PS Silver Member
Sr. Member
Posts: 5078
Re: the eye and the ear
Reply #1 on: January 17, 2004, 10:01:10 PM
It is a very common problem.
Here a few threads in this forum that deal with this problem:
https://www.pianoforum.net/cgi-bin/yabb/YaBB.cgi?board=teac;action=display;num=1069725044
https://www.pianoforum.net/cgi-bin/yabb/YaBB.cgi?board=stud;action=display;num=1071914342
https://www.pianoforum.net/cgi-bin/yabb/YaBB.cgi?board=teac;action=display;num=1057746417
https://www.pianoforum.net/cgi-bin/yabb/YaBB.cgi?board=teac;action=display;num=1045438109
https://www.pianoforum.net/cgi-bin/yabb/YaBB.cgi?board=stud;action=display;num=1061861871
https://www.pianoforum.net/cgi-bin/yabb/YaBB.cgi?board=stud;action=display;num=1073131731
I also suggest that you follow the drills in Howard Richman’s “Super sight-reading secrets”. (I think you can get it from Amazon, and also from his website – just google search for Howard Richman)
Best wishes,
Bernhard.
Logged
The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side. (Hunter Thompson)
clarinetwife
PS Silver Member
Newbie
Posts: 17
Re: the eye and the ear
Reply #2 on: January 18, 2004, 09:30:00 PM
Thank you, Bernhard. Sometimes when a topic gets discussed from time to time it is nice as a new person when someone points out the way a bit.
Logged
bernhard
PS Silver Member
Sr. Member
Posts: 5078
Re: the eye and the ear
Reply #3 on: January 18, 2004, 10:03:17 PM
You are welcome.
Logged
The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side. (Hunter Thompson)
Sign-up to post reply
Print
Pages: [
1
]
Go Up
For more information about this topic, click search below!
Search on Piano Street