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For those of us who spend our lives on the bench — whether teaching, practicing for a recital, or simply playing for the love of it – the piano has always been a singular concept: wood, felt, strings, and soul. Yet, recent global market reports reveal that the definition of our instrument is expanding and evolving in ways that affect us all. Read more

Topic: New Experimentation  (Read 3348 times)

Offline skyhawk

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New Experimentation
on: November 23, 2006, 08:32:28 PM
Now, this is a mixture of different things and doesn't exactly keep on the same topic, but I hope it still gives some amusement. I haven't been here in awhile due to things outside of the web so I haven't put on a new Improvisation in a long time. I will in the near future.

So, enjoy and critique if you like. (Mind the guitar's tuning, it's pretty crappy.)

Offline skyhawk

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Re: New Experimentation
Reply #1 on: November 29, 2006, 12:55:57 AM
Oh, forgot to mention:

It's split into three sections that express different styles and emotions.

Offline skyhawk

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Re: New Experimentation
Reply #2 on: December 15, 2006, 12:04:27 AM
 :o

Offline pianowolfi

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Re: New Experimentation
Reply #3 on: December 18, 2006, 08:40:17 PM
Well I have an affinity to things like this. I find it very original.  :) It is for sure much more interesting than so many songs in the charts.

Offline skyhawk

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Re: New Experimentation
Reply #4 on: December 18, 2006, 11:55:24 PM
Well I have an affinity to things like this. I find it very original.  :) It is for sure much more interesting than so many songs in the charts.
Why thank you again.  :)


Though, this one; I wasn't so sure about when putting on, mainly because of the out-tune-guitar; but I did it anyway. The third part is a bunch of guitar experimentation; just banging on the strings and stuff like that.
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Alexander Scriabin died in April 1915, at forty-three, of a fever that took him within a week — leaving his great mystical project unfinished. He left behind a piano language no one had spoken before, one that a century later still questions every interpreter who approaches it. Boris Petrushansky has spent a lifetime preparing his answer. In a new album and an extended conversation with Piano Street, he traces Scriabin’s path from the early Preludes to the final, shattering Op. 74. Read more
 

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