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Piano Street Magazine:
Wagner’s Universe in a Pianist’s Hands

One of the most thrilling performances offered at Cremona Musica this year was the Wagner by Liszt recital given by Filippo Tenisci – Italian pianist, born 1998 and celebrated for his refined interpretations and expressive mastery of the Romantic repertoire. After his recital we got the chance talking to Tenici about his Wagner/Liszt project. Read more

Topic: charlotte's web  (Read 1578 times)

Offline pianistimo

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charlotte's web
on: December 25, 2006, 11:17:55 PM
just went to see it today with the five year old.  it's a good movie for little kids - except the part where wilbur finds out he might be ham at the x-mas table.  why do they always have to put in scary parts?  just like happy feet - with that really scary walrus.

anyways, it was worth going to because she stayed awake the whole time.  i hate paying for a movie and the kids fall asleep halfway through.

any more movies you all like?

Offline ihatepop

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Re: charlotte's web
Reply #1 on: December 26, 2006, 04:05:48 AM
movies that I like...um...do you mean cartoons? I don't watch those type of movies anymore, although I do still watch cartoons on TV.
 ;D
ihatepop

Offline quantum

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Re: charlotte's web
Reply #2 on: December 26, 2006, 04:25:50 AM
I guess scary parts in movies are like emotionally tense parts in music.  There is dissonance which moves to consonance.  The plot would be bland otherwise. 

Is the movie anything like the book?  I liked the book.
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach

Offline pianistimo

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Re: charlotte's web
Reply #3 on: December 26, 2006, 07:53:11 PM
well, i never read about the smoke house - but poor wilbur, in the movie doesn't have a clue what it is.  the first time he looks at it - he just wonders.  then, the farm animals try to keep it a secret - but templeton, the rat, tell him the 'truth.'  he thinks that everyone deserves to know the truth even if it hurts and tells him that spring pigs never make it through the winter.  poor wilbur is beside himself.

i do not remember this in the book.
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Piano Street Magazine:
“The Sound Always Comes First” — Andrea Bonatta on Teaching Liszt

Why tone matters more than speed, why reading Goethe matters as much as practising octaves, and how a single insight can transform a performance. Italian pianist and scholar Andrea Bonatta has spent decades exploring the contradictions of Franz Liszt, from performer to man of faith, virtuoso to poet. Here, in conversation with Piano Street at Liszt Utrecht 2026, he shares his vision. Read more
 

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