all of the sonatas are very difficult, espeially the last 5.
I agree for Sonata #5. Richter once said-Scriabin's 5th Sonata is one of the pieces which you have to practice and practice wholle your life...
There is stuff in No 8 that looks way scarier than Vers la Flamme. Anyways where does the concerto fit in difficulty? I haven't yet had a chance to hear it or see the score.
Doesn't Scriabin have a ridiculous Nocturne for left hand?Klick
In general, the sonatas are Scriabin's most difficult pieces. There are some etudes with roughly equivalent technical requirements, but they lack comparable difficulties in architecture, length, etc. Almost everyone I've spoken to who's played it has agreed that the eighth sonata is the hardest, although the seventh is often cited in the same breath.
Wich Scriabin piece is, in your opinion, the most difficult one?For me it's Etude Op. 42 No. 5