anyone quicker? ----> https://www.myubo.sk/movie_detail.php?id=1510
Of course. And on a completely different plane of virtuosity as well:
All of his lines spontaneously improvised
Ultra-clean articulation and each note given it's own dynamic and envelope (jazz phrasing)with VERY little use of the pedal.
Plus, the thing about Oscar is that he NEVER plays at the top end of his limit speed. The musical line itself is always crafted tatsefully so that speed itself doesn't dictate the choic of notes, causing most pianist "speed demon's" to constantly fall back on riffs and repetitious patterns.
The huge difference between Oscar, Tristano, Martial Solal, Keith Jarrett, and so many other speed demons like them is that those four can negotiate narrow city streets at 400 mph, while most others can only put the pedal to the metal on the salt flats where obstacles (taste) aren't/isn't an issue.