completely? today i was practicing ravel's minuet on the letters of haydn's name - and it hit me. musicians are ALL crazy. who would think ravel could get by with the letters H, Y and N as B, D, and G? i mean - he puts this little 'code' at the top and expects people to immediately 'get it.' thankfully, this edition spells it out everytime it happens forwards and backwards and upside down. it was after this - that i played liszt's consolation. then, bizet's habanera from the opera carmen.
then, i went back to bach's invention #1. although, the second page was so boring that i had to start inputting octaves. it just sounds better on the second page to have it get fuller.