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Topic: Concerto for Turntable and Orchestra  (Read 1655 times)

Offline cherub_rocker1979

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on: May 22, 2007, 01:30:34 AM
spam

Offline opus10no2

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Re: Concerto for Turntable and Orchestra
Reply #1 on: May 22, 2007, 01:38:06 AM
Haha legendary.

and you know teh Prok himself would have digged it.
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Offline desordre

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Re: Concerto for Turntable and Orchestra
Reply #2 on: May 26, 2007, 07:27:57 AM
 Dear Cherub:
 Thanks for the link. I'm always interested in ideas like this.
 By the way, it makes me think: why so many people will judge this work as crap, and continue to praise a chaconne as a masterpiece, for instance?
 Notice that I don't want to reverse, and say that Bach's famous example is crap, but one must remember that the origins of much of our art music are as popular as our contemporary hip-hop.
 Best wishes!
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Offline Derek

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Re: Concerto for Turntable and Orchestra
Reply #3 on: May 30, 2007, 12:02:39 PM
bach rules.

Offline mattgreenecomposer

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Re: Concerto for Turntable and Orchestra
Reply #4 on: June 01, 2007, 02:37:19 AM
Pretty cool...thanks for sharing.
As a composer I really appreciate the crossover in the musical genres.  I don't think its crap at all.  You can tell they obviously put alot of thought in to it and they "feel" the music.  It's not art for arts sake or blatantly for some sort of shock factor, (like 4'33'' of silence or something)
Download free sheet music at mattgreenecomposer.com

Offline Derek

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Re: Concerto for Turntable and Orchestra
Reply #5 on: June 01, 2007, 03:24:52 AM
haha, you sure they felt it? some of those string players looked pretty damn bored to me. I bet they'd rather be playing beethoven. Then again, they're probably sick of playing beethoven six trillion times every year at concerts...might be a relief for them I don't know, haha  :)

Offline desordre

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Re: Concerto for Turntable and Orchestra
Reply #6 on: June 01, 2007, 06:36:56 PM
 Dear Derek:
 Maybe it's not a global rule, but in my experience string players always look this way, whatever is played.
 Oh...there is an exception: when a world famous and great violinist is the soloist. Then they look like a mixture of envy, despair and - of course - boring...
 Best!
Player of what?
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Piano Street Magazine:
A Life with Beethoven – Moritz Winkelmann

What does it take to get a true grip on Beethoven? A winner of the Beethoven Competition in Bonn, pianist Moritz Winkelmann has built a formidable reputation for his Beethoven interpretations, shaped by a lifetime of immersion in the works and instruction from the legendary Leon Fleisher. Eric Schoones from the German/Dutch magazine PIANIST had a conversation with him. Read more
 

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