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Topic: Thirds...  (Read 2081 times)

Offline tengstrand

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Thirds...
on: August 28, 2007, 03:02:15 PM
I realized now that the camera is not showing Shan-shan when she is really playing the thirds...I'm thinking of putting up that passage in slow-motion with the camera following her hands.The thirds are VERY fast, and in both hands...



Per

Offline pianistimo

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Re: Thirds...
Reply #1 on: August 28, 2007, 04:09:20 PM
are the thirds together or a sort of rocking thirds?  i loved this duo.  i'm just wondering why so much movement in the air, though?  don't you have more opportunity to lose your spot?  also, what about coming down from such a distance and causing 'key slap?'  the hardest you can get the hammers to perform is basically your limit on any piano. 

i like, however, the energy that you pull with the piece and from each other.   if you were both not to know that anyone was watching - and performed this piece much closer to the keys - i'd the sound quality better (lacking extraneous noises and unwanted harmonics - unless you wanted those harmonics).

but, this is very picky and probably very rude of me to say.  sorry!  it's just that when you post on a forum -you're bound to get critical review sometimes.  it's not like we're the basic audience that's going 'oh, look - they can play thirds.'  it's sound quality, too.

***I LOVED IT!  the cossack ride was definately a cossack ride!

Offline teresa_b

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Re: Thirds...
Reply #2 on: August 28, 2007, 04:34:21 PM
I have one comment:  WOW!!!  :o

Fabulous.
Teresa

Offline cmg

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Re: Thirds...
Reply #3 on: September 05, 2007, 02:00:14 AM
I have one comment:  WOW!!!  :o

Fabulous.
Teresa

I agree! 

I can't believe this post has been almost totally ignored.  These pianists are fabulous.  The Waxman piece is great fun . . . if you don't die of fright playing it, of course.
Current repertoire:  "Come to Jesus" (in whole-notes)

Offline nanabush

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Re: Thirds...
Reply #4 on: September 06, 2007, 12:10:02 AM
Holy crap.
Interested in discussing:

-Prokofiev Toccata
-Scriabin Sonata 2
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